“E-voluzione represents a perfect synthesis of our spirit: sporty character and eco-friendly soul” affirms Paolo Pininfarina. “Sporty and dynamic, a harmonic bikeable to guarantee high performances and great comfort”.
E-voluzione is the first electric bike born from the design collaboration between Pininfarina and bicycle makers Diavelo. E-voluzione was developed with a holistic design philosophy in mind. By that, I mean all the main components of the bike are integrated in the bike. By making a conscious effort to seamlessly integrate the battery, the mid-engine, the handlebar and stem, the cockpit, all the cables, the lighting system they have created not only a very aesthetically pleasing bike but one with a higher level of function. Thanks to better weight distribution and balance and a more comfortable and performing ride.
Using carbon fiber in the frame and in the bar, seat post, wheels, the bike is extremely light weight compared to the competition, weighing in at 35 pounds. I know, hefty by traditional bike standards, but fairly light for a motorized e-bike.
The carbon fiber frame is produced by using an innovative process known as autoclave carbon fiber. Which produces a lighter stiffer frame allowing the bike to be more maneuverable and perform better.
The same level of innovation applies to other components that are used in the bike as well. The motor and transmission feature a high torque capacity and are fully integrated into the frame. The transmission is belt driven for an ultra quiet ride and reduces maintenance needs. In addition, they have integrated the patented battery into the frame, yet it is still fully removable for recharging or replacement if needed. The bike features hydraulic brakes and Shimano components as well.
I don’t live in a large house so WiFi connectivity and bandwidth really isn’t an issue for me. I know that it can be frustrating as all hell though for people in larger homes and with multiple users competing for a single signal coming off a router located in the most inconvenient spot in your home. A new solution coming to market in November wants to render this a non-issue.
Plume is the a new Adaptive WiFi system, that takes a series of small, discrete hexagonal boxes and spreads WiFi throughout your domicile. According to the site, “Plume is the only WiFi solution powered by the cloud, which means it can adapt to real life in real-time—ensuring every room and every device has a reliably fast connection today, tomorrow, and years from now.” Sounds promising. The devices also maximize data flow on your WiFi network by handling different types of traffic for a smooth, uninterrupted experience. Plume apparently knows the difference between different data types and allocates bandwidth according to need. And Plume doesn’t use a traditional mesh system to hop between source points which adds latency and slows data transfer. Plume uses a different channel or band for each hop, never slowing down your WiFi speed.
Plume has a great look to it. Clean, minimal, small in scale. It is definitely designed to blend into a space and disappear. Modest in appearance, and petite in size each pod feels like a small piece of modern sculpture plugged into your power outlets. Plume can be preordered as individuals at 39 bucks a pop or sets of 6 which will set you back $234.00.
Most of my Friday morning has been spent looking at video clips trying to find inspiration for an animated video wall that will be playing in an upcoming trade show. While perusing the Vimeo I came across this series of videos from NERDO for the rebrand of La Effe. Theses have such a great look to them. Simple graphics, reduced color pallet, nice use of typography, great timing, and presence. The Graphic Pack shows the application of the look across a broad spectrum of uses, while the indents showcase a tighter venue for the animation. Yes I am seriously considering borrowing some of this concept for my 60 second loops. If you want to know more about the work, there is a complete case study here.
I’ve never lived in the South. I have cousins that live there and my brother moved to Alabama a few months back, and that is about as deep as my relationship to the southern United States gets. I know the south has a rich and diverse cultural heritage, and I know that the confederate flag is a symbol of controversy for many living there and not living there. It is a symbol that has long been divisive and polarizing, occasionally popping up in the news when there is a call to ban or abolish it from public use by a state or local government. So I can’t imagine the challenge of designing a new symbol for the south that would be inclusive, embrace the traditions and heritage of the region, and not spark arguments from those that believe the confederate flag is sacred.
Last year PRI and WNYC asked 70k ft to do just that, and they did. Below is the imagery that they created and some of the thinking that went into the redesign. The embedded links go to the South website and to the PRI site where the team discusses in detail the process, the thinking, and the reaction to the new symbol for the southern portion of the United States. It is an interesting read and listen if you have the time. I have mixed feelings about the end results. I like the new symbol better than the tired old confederate flag, but I’m not sure it will resonate with southerners. It’ll be interesting to see if this new symbol takes hold and develops traction in the future.
One thing we can all look forward to this fall and winter are the absolutely moronic perfume ads that get produced for each holiday selling season. There will be plenty of reuse from the ones that have been around for a couple of years, because they are always big budget affairs, and the manufacturer tries to get the most mileage out them as they can. One however, will be a breath of fresh air, even if they won’t be able to show it in its full 3-minute entirety on TV. That ad is the new Spike Jonze directed spot for Japanese perfume makerKenzo.
The online spot which has gathered more than 2 million views in the last 3 days, features hypnotic choreography as a young socialite Margaret Qualley, escapes the stale atmosphere of a formal gala to go nuts in the hallways of the empty building. The choreography was created by Ryan Heffington becomes a full blown rapturous explosion that you simply can’t look away from as Qually dances to the tune of “Mutant Brain” by Sam Spiegel, Jonze’s brother, and Ape Drums.
I love it, from the laser beams to the statue licking, to the contrast of the green dress against the desaturated color pallet, to the sheer insanity of it all. It’s as though Jonze looked at commercials like the one Dior produced and said, no more. And thank god he did.
Having spent the last 3 and a half hours working standing up, looking at a well-designed desk that you sit at is a refreshing break. Don’t get me wrong, I choose to work standing up, my desk can raise and lower, and I really do try to work standing for at least 4 to 5 hours a day. That doesn’t mean I don’t appreciate a piece of quality design, and a desk you sit at.
Starting this October you will be able to pick up one of Poul Kjærholm’s tables originally designed for the Royal Danish Academy of Arts in 1955. Poul Kjærholm was a master at blending steel and wood together to create a minimalist yet functional form. His design aesthetic is expressed perfectly in these two tables. Both are characterized by clear forms and light grace, the tables made a significant contribution to the designer’s reputation as a pioneer of Danish functionalism.
Produced by Carl Hansen & Son, the tables will be available with tops made of Oregon pine or oak veneer, and with oiled, varnished or black-lacquered surfaces. The steel frame comes lacquered in black or grey. Each table can be fitted with a drawer of either oiled, varnished or black lacquered oak. The Professor Desk (PK52) is 28 inches high, by 72.4 inches long and 33.4 inches deep; the Student Desk (PK52A) is 28 inches high, 55.7 inches long and 33.4 inches deep. Both tables will be available for purchase in October.
I don’t care who you are voting for or what your political agenda is, you have to admit Trump Facts is a pretty brilliant website from Cub. Why, because Trump sound bites make good fodder for these brilliant short little animations. Love him or hate him, you have to admit, the shit Donald Trump says on a regular basis makes for some interesting commentary, and Fraser Davidson has absolutely captured Trump in well crafted, well illustrated animations using Trump’s own sound bites. These are his word folks, there is no denying that Trump said this stuff, and something tells me in the next few months Davidson is going to be working hard to produce more of these. Click through to the site, or to Vimeo to see the entire series. Each one is less than 15 seconds long, so you can watch the entire series in a short amount of time.