Panthella Mini

Verner Panton’s Panthella lamp, launched in 1971 and went on to become a design classic and is now being relaunched in a smaller version as the Panthella Mini. To help launch the new product and promote Panton’s iconic product, Frame. was commissioned by Louis Poulsen to create a spot for a lamp, and they nailed it. Frame not only captures the essence of the lamp design, they have created a look that mirrors the materials Panton used to create the original in this fun animated spot.

The legendary Danish designer Verner Panton is known for his use of powerful colors, organic shapes, and unconventional materials – designing everything from furniture to full art installations that looked, and probably felt, like an acid trip. Unsurprising, when you think that he completed a lot of his work in the 60’s.

As a starting point, we investigated Panton’s aesthetic universe and commenced designing a tour de force of lamps, eye-popping colors, and abstract shapes, inspired by the man himself. We were also encouraged by Louis Poulsen to give it our own personal touch so we had the freedom to interpret the unique style of Verner Panton with a unique twist and establish a lighter, more contemporary tone.

In the end, it was all about creating something warm, happy, alive, intelligent and playful – just like Panton himself. To create a setting for the lamps to shine (no pun intended) and allow the focus to remain on these beautifully designed objects.

Frame

Advertisements

All 400 issues of Communication Arts in Digital Format.

caWell it’s about time. Communication Arts has finally released every issue, 400 in total, of their magazine in digital format. This is every issue dating all the way back to 1959 now available for download. They aren’t free. They are going for $9.99, but if you are looking for solid research materials and don’t want to have hundreds of hard copies lining your shelves, this is a good way to go. When I got the email about this, this morning I was hoping they might be offering a bundle deal. Something where you could get every issue for a fixed price, or buy a decade at a time for a fixed price, but apparently not. This means if you want them all it won’t be cheap. You’ll be spending $3996.00 for every issue from the current one all the way back to August of 1959. If you run a design library, or if you have a firm that can afford it this would be a valuable research tool for past styles, trends, advertising and communication history, and a barometer reading of the sociopolitical landscape from a design communications perspective.

When I got the email about this, this morning I was hoping they might be offering a bundle deal. Something where you could get every issue for a fixed price, or buy a decade at a time for a fixed price, but apparently not. This means if you want them all it won’t be cheap. You’ll be spending $3996.00 for every issue from the current one all the way back to August of 1959. If you run a design library, or if you have a firm that can afford it this would be a valuable research tool for past styles, trends, advertising and communication history, and a barometer reading of the sociopolitical landscape from a design communications perspective.

If you don’t want to drop any cash on these, you can still look through all the covers going back to 1959, and get a really nice overview of how design styles have changed over the last 58 years.

59-spread

 

69-spread

79-spread

89-spread

99-spread

09

17-spread

 

 

 

 

A is for Albert

You don’t have to have kids to appreciate the humor associated with this animated short from Studio Lovelock. “A is for Albert” is an animated alphabetical adventure about the highs and lows of parenting. Along with the short animated video, there is a corresponding website where each letter of the alphabet is broken out into its own animated section. Produced by Joe Lovelock this was a side project that took some time to complete while he was working on getting his studio off the ground. Built with simple shapes, a soft color pallet, and nice little soundtrack, the video is a breath of fresh air in a sea of negative soundbite, news blips, and uncertainty these days. Below the video is an excerpt from Lovelock on the project.

 

Like all side projects this has taken ten times as long as I thought it would, about three years to be more specific.

I put that down to the unforeseen issue of having to use all 26 letters in the alphabet, and secondly I’ve just been busy. It turns out the little man who inspired the whole thing is pretty demanding timewise, compounded by the fact that somehow that one little man became two. On top of that I’ve been trying to build a design agency (studiolovelock.com). It turns out that’s pretty time consuming too.

Truth be told I’m not entirely happy with it, but I’m proud of the fact that I’ve managed to finish it and can finally move on to something new. I’m also proud of the two little champions that inspired it. Their mum’s pretty awesome too.

The TAC Air Filter Stacks it Up

This morning while poking around on Behance I came across a really nice piece of design work for an air purifier system by junku jung. The TAC system is a minimalist cube with stackable filters that are placed on top of the unit in order to control the quality of air purification based on the environmental conditions. The unit is designed with 7 filters each taking care of a specific type of air pollutant. Pet allergies, Pollen, Dust, Oil/Mist, Smog, New House particulates,  and Coal.

filter-1

The minimalist white box allows each color coded filter to be stacked in a specific order to achieve the best results, and allow anyone familiar with the system to see what is being filtered with a quick glance. The unit looks to be a prototype, and there is very little technical information on how it works, how many filters can be used in conjunction with each other before the effectiveness is minimized, potential pricing or any other info.

filter-2

As a proof of concept, this is a great idea. Clean discreet design with a few bands of color at the top. It also appears to be a well thought out system allowing for the unit to expand and adapt based on the location, changes in air quality and an individual’s needs. I love the look. It reminds me of Stadler Form’s Oskar humidifier which I proudly display in my house all winter long.

filter-4 filter-6

Google Got Nominated For An Oscar

Google introduced their 360 Spotlight Stories a little over a year ago and they have been gaining steady traction since. If you haven’t checked out the VR tech you can see all of the videos on YouTube here, and if you have a VR headset that is connected to the internet I suggest giving it a view that way as well. The films themselves are really well done with compelling stories and solid animation to match, and while this has the opportunity to be a huge marketing tool for any number of industries it really shines as an entertainment vehicle. Case in point the video below that has been nominated for an Oscar at this year’s Acadamy Awards. Yes, Google is in the running for an Oscar for the animated short “Pearl”. The five and a half minute animated short tells the story of a girl and her father as they travel the country in their car chasing dreams and bonding over

The five and a half minute animated short tells the story of a girl and her father as they travel the country in their car chasing dreams and bonding over song, life, and the open road. To get the full experience of the short film you need to actually pan around the environment. You can get the full impact of the story by simply watching, but the experience is far greater when you actually dive into what Google offers here, which is an immersive experience that extends the story.

Google has only released a handful of these short films, all of which are available on their YouTube channel. I think that is a testament to a couple of things. How long it takes to produce quality content, and how complex crafting this kind of immersive environment can be. I’m pretty excited to see how far this can be pushed, and I’m really looking forward to Google releasing a full development kit for this. The potential is huge on so many levels.

Division & Unity

It’s a beautiful mid-winter afternoon in the midwest. The sun is shining and it is a  surprising 60 degrees for the end of January. For the last week, everyone in America has been bombarded by the new president’s “Alternative Facts” and shifting misinformation. No, I’m not going to go on a political rant. I am however going to post this nice little piece of eye candy with a message that might make you stop and think. Produced by T

Produced by Territory Studio / ODD, Division and Unity is a black and white animated short narrated by Oli Whitworth. The message is a comment on how our digital age has shaped and influenced us, and a message of how we’re stronger together. It is also a message about how people bend the facts to meet their needs and attempt to influence those that now live by sound bites, and 120 characters as though they were absolute truths.

Oh and it’s quite lovely to look at, so if you don’t want to hear the message, turn the sound off and just look at the nice visuals.

 

Hyundai (Brand Vision) from Trizz Studio

Back in the early 1990’s I attended a lecture on automotive advertising that made a comparison to the way cars are, or were advertised in Japan at the time versus the United States. In Japan, it was less about the car and more about the mood or feeling. Here in America, little has changed. Most car ads talk about how fast you can go, how much you can haul, will this vehicle help you compensate for something missing in your life, etc. It was and still is an interesting comparison as to how different cultures perceive product relationships and branding. For example the video below, not for a Japanese car, but for Korean Hyundai. The video is an abstraction on relating to the automobile Hyundai’s design sensibilities. It is a short film that combines natural senses and emotions with visual abstractions that relate to what the product stands for; confidence, essentials, refinement, sensuality, effortlessness. It conveys all of this without ever showing a single Hyundai car, and not revealing the brand until the very end of the clip.

The video is an abstraction on relating to the automobile Hyundai’s design sensibilities. It is a short film that combines natural senses and emotions with visual abstractions that relate to what the product stands for; confidence, essentials, refinement, sensuality, effortlessness. It conveys all of this without ever showing a single Hyundai car, and not revealing the brand until the very end of the clip.  What a completely different approach to branding, and one that is the polar opposite of the way automotive branding and advertising is handled here in the good old US of A.

Produced by Trizz Studio for Innocean Worlwide and Hyundai, this is a fantastic blend of CG work, live action footage, and sound design. High production value, and the opportunity to create an abstract representation of what the Hyundai brand represents helps to sell this piece. I think it is wonderful, and frankly would like to see more car ads like this, but I know for a fact no agency in America is ever going to pitch this kind of concept to an automotive client, let alone have an automotive client actually buy in, here in America.

WAtch it full screen and turn up the volume.