Well, thanks to Kickstarter I’ll be dropping 80 bucks on yet another design book. The 1977 EPA Graphic Standards System is being reissued, and it is a gorgeous piece of graphic design. If you have seen any of the other Graphic Standards books that have been reissued, like the one for NASA, or the New York Metro, you know how these can be a valuable resource and source of inspiration.
Designed by Chermayeff & Geismar the book will be reissued as a hardcover book printed in 14 Pantone® colors. It will come with a slip-case and the reissue will also include 48 pages of photographs from the EPA-commissioned Documerica Project (1970-1977). If you want to see what you are getting for your money the video below gives you a brief history of the system and shows off the original book as well as the new reissue. For a bit of irony, Republican President Richard Nixon narrates sections of the video dedicating the founding of the EPA. I wonder if 47 years from now we will all be watching a video where President Trump kills it?
Having spent more than half of my life working in the graphic design and communications business I have seen many design trends come and go. One thing that is certain, is the state of graphic design is in constant flux. This is reflected in “Graphic Design Today” an in-depth survey on progressive contemporary graphic design from Gestalten. In recent years, graphic designs relationship with adjoining disciplines such as illustration, three-dimensional installation art, industrial design, interactive design, UI/UX design has pushed the further development of the discipline. And this in turn is raising the bar for graphic designers.
This book from Gestalten examines and documents the current state of graphic design, identifying some of the most visionary young designers at the top of their game with examples of their progressive design aesthetics in the printed form. The book features a wide range of graphic design samples ranging from poster design, book, and magazine editorial design as well as typography. Most of the work is print oriented and shows a trend that I find interesting, a desconstructavist approach to visual design that blends elements of the 1980’s 90’s and early 2000’s into a unique style that intentionally manipulates and distorts traditional rules and ideas with a playful and experimental verve.
Graphic Design Today features design trends from Switzerland, Germany and the Netherlands, France, Great Britain and the USA. Through abundant visuals and illuminating texts accompanying each featured project, and a foreword by François Rappo, renowned typographer, and teacher at ECAL Ecole cantonale d’art de Lausanne, this expansive volume provides an in-depth look at the state-of-the-art of contemporary graphic design and is going in my design library.
Well this will definitely be going into the personal library. When I was a kid this is the kind of book I would spend hours reading and re-reading, especially if it was filled with gorgeous illustrations like this one is. ” The big picture James Lovelock’s tool kit for the future.” By Taschen is illustrated by Jack Hudson,a British illustrator with a particular interest in scientific subjects and the interaction of macro and micro scales, and features contributions by quantum physicist Lisa Randall, Astronomer Royal Martin Rees, Pulitzer Prize–winning biologist Edward O. Wilson, and Nobel Prize–winning neuroscientist Eric Kandel. The book was Conceived by James Lovelock, inventor of the Gaia theory, this illustrated essay collection brings together an all-star lineup of thinkers and scientists to offer essential understanding about who we are, how we live, and where we might be going.
Over the last seven years, Jens Müller has been collecting and compiling modern logos created from 1940 to 1980. As Müller puts it, this was the golden age of the modernist aesthetic in design, architecture, art, product design. And to a point he is right. Some of the most visually memorable brand marks and logos come from this four decade period. Müller’s collection is what makes up the content of Aachen’s 6000 page tome Logo Modernism.
The book covers pretty much every business and organization of note, and represents a sweeping retrospective modernism and how the style changed over time. Broken into specific sections the book’s main chapters cover Geometric, Effect, and Typographic. Each sub-chapter breaks down each style even further into sections such as dots and squares, overlays, alphabet, color, etc.The book features an introduction from Jens Müller on the history of logos, and an accompanying essay by R. Roger Remington on modernism and graphic design. In addition there are series of designer profiles on masters of the craft Paul Rand, Yusaku Kamekura, and Anton Stankowski focusing on their legendary work.
In typical Taschen heritage, the book is physically huge. at 10 by 14 inches in size and 432 pages of content. And as always from Taschen, the book is multilingual. It’s available for pre-order and this just made my list of books to add to the reference library. Oh and it’s affordable. Just $69.00 on the Taschen site.