General Stuff about the house.


On January 14th, 1929, Beverly entered this world to her proud parents John and Esther Martens. She became a sister to Robert and began a typical middle-class life in the South Hyde Park neighborhood of Kansas City. And so, began an extraordinary and adventure-filled existence that would survive the great depression, a world war, and more obstacles than anyone should have to endure during a lifetime.

Her father John worked as a salesman at a haberdashery downtown when my mother was born. Her mother, Esther, was a typical housewife but had been trained as an executive assistant and had worked at New York Life insurance before marrying John in 1922. The two of them had managed to create a good life for their children and had no idea what “Black Friday” would bring to them in late October of that year.

When the depression hit, my mother and her family were alright in the beginning. The economic downturn didn’t immediately impact them but as the unemployment rate rose and the devastation began to sink in, the stark reality came knocking at their doorstep. In early 1930, the shop that her father worked at closed its doors, and soon my mother and her family would find themselves like so many Americans, losing almost everything and moving from their beloved home to a small two room apartment that shared a bathroom with four other families.

My mother had few memories about the first apartment they moved to. She did tell me that she and her older brother slept in what would be considered the family room. The reality is that it was the family room, dining room, and kitchen in a tenement building located somewhere near Tenth and Oak. A broken-down building that was infested with cockroaches and other vermin. This would be her home for the next five years before the family moved to another, equally horrific building in what I believe was the Pendleton Heights neighborhood in North East Kansas City. This was the place that would form my mother’s character, strength, compassion, and wit. It was the place where her god-given talent as an artist would begin to emerge, and her creativity would begin to flourish. Where her imagination would take her to exciting places from the books she and her brother read, and the adventures they had while playing in the neighborhood, and occasionally escaping via the streetcar to Swope Park.

The Great Depression had a profound effect on my mother growing up. She was part of the poorest of the poor with her family on relief and surviving through the kindness of strangers and pure determination. There were stories of great adventures in Swope Park with her older brother and friends that stood in stark contrast to the stories of her father making hamburgers out of canned meat that was probably dog food. For every great adventure story, there would be the occasional injection of the harsh realities of how the depression impacted her and her family. The strength that she gained from that reality directly impacted her in later years when I was a child and later as an adult. In some ways, I think there was always lingering anxiety, a fear, that at some point she could end up destitute and in the same situation she was in until the late 1930s. It is a feeling that many depression-era children have all their lives.

In spite of the situation her family was in financially, my mother’s parents always managed to keep their children safe and secure. I’m not sure, but it sticks in my mind that my mother and her brother attended Garfield Elementary School and this is where my mother first realized that she had an innate talent for art. At some point around 1936 or 1937, her class was asked to draw something that was a reflection of their home life. My mother chose to draw a bowl of fruit that had been given to them as a Christmas gift by a family friend that had been less impacted by the depression and still lived in her old neighborhood. When she presented her still life drawing to the class her teacher immediately accused her of either having help, or tracing the drawing from a magazine or newspaper because no 7 or 8-year-old child could have possibly drawn anything this good. Mom was sent to the principal’s office and her mother was summoned to the school to speak with the principal and receive the punishment that was guaranteed coming. The problem was her mother brought a stack of drawings my mom had done as proof of her talent, or so the story goes. With that the teacher and the principal relented and she was off the hook. Thankfully someone at the school recognized her gift and encouraged her to keep drawing. That encouragement would shape the rest of her life.

Mom became an avid artist and continued to draw and paint for the rest of her life. She drew and painted every day all the way into her 91st year, and while her hand wasn’t as steady as it used to be, drawing and painting is something that I feel kept her alive and mentally sharp until the last days of her life.

In the late 1940’s my mom began attending class at the Kansas City Art Institute graduating around 1953 with a fine arts degree. The Art Institute is where she met my dad and became great friends with regionalist painter and instructor Glenn Gant. There was an entire cast of characters that she met at the Art Institute that I was introduced to during my childhood thanks to mom. Along with Glenn Gant, there was Keith Coldsnow, who owned an art supply store in Westport, Photographer Tony Latona, who worked for National Geographic, Life Magazine, and was head of the Unity Village Photography Department for 20 years.

One of my earliest memories are being taken to Kelly’s bar in Westport at age 3 or so by my mom and dad, where I sat on Glenn Gant’s lap drinking a Roy Rogers while the Art Institute alums held court. The memory is vague and fading, but I still remember being passed over the table to my mom by Glenn as she talked and laughed with her friends from the Art Institute.

In the early 1950’s before I was born and before my parents were married, Mom worked first at Hallmark Cards as an illustrator in the greeting card division, then at Barry-Fick advertising as a graphic designer and illustrator. Her time at Hallmark was short-lived, just under two years. There were things about the culture of the organization at the time that she disagreed with, from dress codes to politics, just to name a few. My mother was a bit of a beatnik and a rebel, loving jazz and blues and things that could be considered counter-culture for the time.

The end for her time at Hallmark came when she was called into HR, having been reported for socializing with a black man at a blues club somewhere in midtown KC. She was told that the behavior was unacceptable and that if she valued her job, she wouldn’t do it again.

In true fashion, she promptly quit. I remember her saying to us as we were growing up “no one should ever be judged by the color of their skin, their religion, or their gender”. Once again, I think this is a lesson that was taught to her by growing up so poor and in such diverse neighborhoods during the depression. It all comes back to the memories of how she was treated because of her financial situation as a child and that lasted with her most of her life.

Around 1958 or 1959 my mom moved to the house we grew up in North Johnson County in Kansas. She and my father along with our older brother settled into suburbia in a house that they purchased with a GI loan thanks to my dad’s service in the Army and Navy during WWII and the Korean War. The house was a typical 1950’s 3-bedroom split level home that cost a whopping $15,000 in 1958. This is where my mom would begin her first career as a freelance illustrator, and graphic designer working in a studio that was set up in the basement level of the home. There are fond memories of playing next to her drawing board while she worked while taking care of her children and the house.

Over the next 30 years, she illustrated 1500 coloring books, did hundreds of illustrations for Childcraft, Jones Department Stores, Highlights, Jack & Jill, the Kansas City Star, and so many more. In many ways, she was the primary breadwinner in the family. She had a steady stream of clients that she worked for and was consistently busy.

She was also a great teacher. She taught me illustration techniques, paste-up, color stripping, typography, and more. By the time I was 14, I would help with many of her projects earning my allowance money, spending the time between after school and dinner working for her on graphic design projects she had in.

Around 1970, my father had started freelancing as well as doing copywriting and basic design production work. The two of them formed B.R. Johnston Studio and began to develop a list of clients they would supply artwork to until the late 1980s. I still remember watching mom from the living room as she worked tirelessly into the evening as the light would fade outside and the studio lights would come on. Between freelance work and raising three boys it never ceases to amaze me how much she got done during the course of the day. Her work ethic will forever be imprinted on my soul.

As if all of this wasn’t enough, mom became actively involved with her kids’ extracurricular activities. My brothers and I were involved in Scouting. So, she became a Den Mother for all three of her kids. Mark and I went on to become Boy Scouts and my mom volunteered to help teach merit badge courses when other instructors weren’t available. She ferried the three of us to science fairs, music lessons, went on field trips, volunteered at school events and activities and so much more. Her energy was tireless all the way up to the last years of her life.

By the time my mom was 60, in 1989, she had semi-retired from doing freelance illustration work. My father’s health was in decline, and the shift to computer-based design work was leaving their studio in the past. Always creative, and looking for ways to keep the money coming in she and my father had begun making miniature sculptures and figurines that they were selling in local and regional craft fairs. The new way of earning suited their evolving lives and they both began to wind down toward retirement. Like so many things in my mother’s life though, the unexpected intervened and retirement would not come for many years.

In July of 1992 my father died of a massive heart attack at the age of 63 leaving my mother with a mountain of debt that he had hidden from her. Without missing a beat, my mom, always resilient, kept moving forward, resolving to pay off the debts, keep the lights on, and keep going. She did this by continuing to work the craft show circuit expanding beyond the miniatures creating folk art painted boxes and wooden objects all done in her signature and evolving style. She always referred to herself as “The queen of cute”, but many of her pieces showed a deep sensibility that was so much more than cute children’s illustrations. It was the craft show circuit that helped her move into the next phase of her career and what I consider her true calling, teaching painting.

My mom was approached by so many people at the craft shows asking her if she could teach them how to paint that she turned the home design studio into a classroom and began giving group and private lessons 3 days a week. It was also around this time that she was recruited to teach two days a week at a local shop in Mission, Kansas. Teaching became her job and that allowed her to spend her evenings painting for her own enjoyment, developing new styles and techniques that she could demonstrate for her students after she had mastered them.

From the lessons she taught she began to realize there was a market for the folk-art objects she was creating on a larger level. A market that allowed her to sell through local shops as well as at craft shows. Her intricate, detailed pieces of holiday scenes, religious stories (Noah’s Ark was a favorite of hers) were standouts and her work became collectible amongst those in the know. Her constant need to create and express herself through her artistic outlets manifested itself over the next 20 plus years in hundreds of painted folk-art objects. Her God-given talent as an artist was shared with so many in so many ways.

By the time she was in her early 70’s she had been discovered by an art licensing firm that was interested in reproducing her folk artwork. Jumping at the opportunity she began to license her work through Applejack/Art Licensing and has sold through them for the last 20 years with her work appearing on products all over the world. She would continue to produce original art for them well into her 80’s before officially retiring at the age of 88.

At the age of 80 she sold her house and briefly moved to Arizona to live with my older brother. After putting up with his antics for about a year she decided it was time to come back to her native Kansas City where she would continue to draw, paint, and occasionally teach for the next 12 years of her life, seven of which were spent at Rosewood Apartments where she had a small studio space and she could continue to create and occasionally teach painting to close friends.

At Rosewood she began the last chapter of her life developing deep friendships with other residents. She engaged in a variety of activities, including weekly bingo sessions where she was quite the hustler. I remember taking her to the bank to have a giant bowl of change converted to dollars from her monthly winnings – $120.00 in quarters. Later those winnings would go to the SPCA where she could help with animal adoptions. She even got the other residents to begin to participate as well. She and a crew of ladies that would donate their Bingo winnings monthly without hesitation. This lasted for seven years like clockwork. It is a demonstration of her deep love for animals, especially dogs, something that she held close to her heart until the very end of her life.

Death is nothing at all

It does not count

I have only slipped into the next room

Nothing has happened

Everything remains exactly the same as it was

I am I  and you are you

and the old life that we lived so fondly together is untouched, unchanged

Whatever we were to each other

that we are still

Call me by the old familiar name

Speak of me in the easy way which you always did

Put no difference into your tone

Wear no forced air of solemnity or sorrow

Laugh as we always laughed

at the little jokes that we enjoyed together

Play, smile, think of me

pray for me

Let my name be ever the household word that it always was

Let it be spoken without effort

without the ghost of a shadow upon it

Life means all that it ever meant

It is the same as it ever was

There is absolute and unbroken continuity

What is this death but a negligible accident?

Why should I be out of mind because I am out of sight?

I am but waiting for you

for an eternal somewhere 

very near

just around the corner

All is well

Bev Johnston 01/14/1929 – 09/03/2020

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Say, Man, Let’s Get Really Toasted for a Change.

Does anyone really need a $400.00 toaster? I’m not sure. I mean I make my toast in the oven using the broiler because I don’t want a toaster sitting on my counters and my cabinets are filled with other stuff. Even if they weren’t I’m not sure I’d buy a $400.00 toaster. Never the less, if I were in the market for a toaster and money was no object, this is the toaster I would probably pick.

This is the BALMUDA toaster from Japan. Why is it worth $400.00? Let’s take a look and see. This toaster until recently was a Japan-only product designed to create the best toast in the world by adding water into the toasting process. That’s right water, and if you think it will make your toast soggy, you’d be quite wrong.

The water serves a special purpose, it uses steam technology and precise temperature control to bring out the best in every kind of bread. By pouring a small bit of water into the toaster at the beginning you allow the air to heat more rapidly while creating a layer of steam that envelops the bread as it toasts the surface. This traps inner moister in the bread and keeps the flavor from escaping. The end result is the best toast in the world according to BALMUDA. At 400 bucks it better take Wonder Bread and make it taste like something crafted by Italian bakers with centuries of history behind them.

The BALMUDA gives you four choices for toasting, one for each one hundred dollars you spend on the toaster. Sandwich Bread, Artisan Bread, Pizza, and Pastry modes. There is also an oven feature for cooking things like au gratin potatoes. Oven mode doesn’t use steam.

From a design perspective, the BALMUDA toaster looks great. A clean minimal design with easy to read controls. A small footprint of 8 by 14 inches. 3 color choices, black, dark gray, and white. There is a set of instructions across the top at the back of the toaster and that’s about it.

From a toast perspective I’m going to have to take BALMUDA’s word for it because I don’t own this toaster, won’t be buying this toaster, and haven’t had any toast made with this toaster.

There is a guy on YouTube that swears this is the greatest invention of all time. He has one, and he makes some serious toast with some serious Japanese bread in his video. I have to admit, the toasted bread looks pretty amazing, and I’m sure it smells great too. I’m still not convinced anyone needs a $400.00 toaster, although during the stay at home order during the Covid 19 pandemic, it might actually make life feel better.

Working From Home During The Covid 19 Pandemic

Up until about a month ago I spent the last 4 and a half years working remotely for a company based out of the Chicago area. For me telecommuting from home is nothing new. For many people right now, it’s a brand new experience that can be a little hard to get used to.

Getting a routine down, knowing how to connect with coworkers, understanding online meeting etiquette, accessing files can all be a challenge. Navigating all of these things can seem a bit daunting but it can actually be quite efficient and rewarding.

Here are some of the things I learned over the last four years. A set of tips for those of you that aren’t used to or have never worked remote before. A lot of this is common sense, but also easy to forget or ignore.

You need to treat the home office just like going into the main office.

Get a routine.

I am at my desk at a set time every morning.

I launch Skype and Zoom to let everyone know that I’m available as soon as I get in. These apps stay on all day so that I can be reached as needed. Think of it as having the virtual ability to have a hallway meeting or bump into a coworker somewhere in your virtual space.

Check your email on a regular basis.

There are some people that use it as their primary form of communication. Set email up with notifications on so you get a friendly reminder when someone pings you. You don’t have to check every email that comes in when it comes in, but checking regularly helps keep you in the loop.

Take breaks.

I’m the worst about this. I’ll start working and never leave my workstation if I don’t get prompted to. I have set up my phone to tell me to take a break 3 times a day. 2 for 15 minutes, and an hour for lunch. If you can, get out of your house and stretch your legs. Usually I a few times a week I try to meet someone for lunch. Socializing helps things feel normal. I know it’s not much of an option with the Covid-19 Pandemic in full swing, but if you find yourself working from home in the future…

File Sharing

You will probably need to share files with your team. Both my current and previous employer use Office 365 so my team has access to OneDrive, but there are a ton of options available. Designate someone to set up a shared cloud drive with an organized folder and file structure in it. And believe me, organization is key. It’s hard enough locating files on a server in the office, but at least you can pop over and ask someone where they saved a file. Working remote not so much. Everyone on the team needs to be able to locate files quickly to keep things moving along.

Space matters.

If you have roommates, family, or anyone else that is home with you, you’ll want to be able to separate from them for meetings and needed quiet time. The other thing is, if you have a separate office or a designated space you can leave it behind at the end of the workday.

Speaking of that. Know when to leave work. Just like getting into the office, I have a set time I try to leave the office every night. It helps keep work and personal life separated.

Tools of the trade.

My team uses Adobe Creative Cloud. The full suite of applications. Trello, Slack, Zoho, Paylocity, Office 365, Dropbox, Zoom, and Skype. There are hundreds of tools for working in a remote situation. Decide on what your team is going to use, and have everyone use the same set of tools for consistency.

How You Communicate.

Not all in-office habits and systems are going to translate directly to a remote equivalent. A video chat may not always be convenient, so ask yourself, “Can this meeting be a document/email/Slack message?” Learn to move more of your communication to asynchronous channels. 

Put on your pants.

When I first started working in a remote environment people would joke with me about working in my pajamas or sweats. Taking the time to get dressed and perform your usual self-care routine can prove a big psychological booster.  Plus you never know when your boss is going to request a video conference call with you. Don’t get caught with your pants down. Treat it like you are going into the physical office space.

Plan ahead.

It’s easy to fall into short term thinking, but just like you would at your physical office you’ll want to plot out your next week, month, and possibly quarter. Nobody knows just how long this COVID-19 situation will last, doing as much long-term planning as you can only benefit you. 


I’m talking about the internet. Do you have enough bandwidth to video conference? Upload and download large files in a timely manner? Run software upgrades without taking up hours of time? Nothing is more frustrating than trying to work and being hampered by a slow or glitchy internet connection. If you can plug into your router. If you are on WiFi make sure you have a solid connection. I’m fortunate, Google Fiber is blazing fast and always on. Another thing to think about is kids. You might need to set up ground rules for internet use during the day if your kids are home. Why? Because games and streaming videos eat bandwidth for lunch. If you are all on at the same time, your network could slow to a crawl.

Manage expectations.

If you aren’t used to working from home you will need some ramp up time. Talk to your supervisor about what the priorities are, and discuss how tasks will get done. How is the team going to track projects we’re working on? How will we meet to discuss this? Will you all be connecting on Zoom or email? Will there be standing meetings at a certain time to get everyone coordinated? (I used to have a standing check-in meeting 3 times a week. 15 to 20 minutes to discuss work being done, what’s coming, up and who needs help with projects)

This should be an ongoing conversation. Remember, going fully remote is a new experience for many companies and their workers. Be honest about what isn’t working or can’t get done in these circumstances. More overall communication is going to be necessary.

The Webcam is Your Friend

You might not think so but it is. I know a ton of people that hate to video chat but it helps. When you are on a Zoom call and no one has their camera on, people get accidentally interrupted, you sometimes can’t tell who’s speaking, and it helps combat that feeling of isolation working from home alone can bring. Make sure you have good lighting and if you can position your camera so other viewers aren’t looking up the inside of your nose.

Speaking of webcams, the team should decide what the protocol is going to be. If the majority says no we don’t want to video chat, then no one should video chat. If there are 15 people on a call and only one or two have their camera on, its annoying and distracting.

I hope some of these help. Remember to take in stride. You aren’t defusing a nuclear bomb or curing cancer. You’re simply trying to work from home and do the best job possible. Go with the flow, be open to suggestions and recommendations and things will work out. By the end of April you’ll be a telecommuting pro.

I Bought a CPO i3 Not C3PO. I Kind of Feel Like I’m Driving a Star Wars Car Though.

A little over a year ago I began looking for a new car. The lease on my GTI was coming to an end in August of 2019 and I was thinking about going electric. Since the VW electric models wouldn’t be available in America for another 12 to 18 months, I began researching the usual suspects, Tesla, Nissan, BMW, Chevy, etc. What I discovered was there are quite a few models available. All of them have pros and cons, and the prices ranged from reasonable to astronomical. What I didn’t expect was to find was what you could get if you looked at certified pre-owned models of specific brands.

After almost a year of looking, reading, watching YouTube, test driving, pricing, and pondering, I decided to purchase a certified pre-owned BMW i3. Why? Because I found out I could get into a 2-year-old car with about 20,000 miles on it for less than half the sticker price of the new car. And since it is a CPO BMW it comes with an additional warranty.

I chose this vehicle for several reasons. Proven Brand, Styling, Technology, Fun Factor, and Size. There is also that I never have to buy gas thing too.


The styling can be quite polarizing. In most cases, people either love it or hate it. I love it. I feel like I’m driving a little space pod most of the time. It’s short, squat and tall. It doesn’t look like any other car on the road on both the exterior an on the interior.

With wheel s pushed close to the corners, it accentuates the stubby look of the i3. Its window line expands at the small rear doors, dips into the body line, then pinches together at the rear. Visually this creates a flow down the body line that I like quite a bit. One disadvantage to this is that the rear windows don’t lower. Technically it’s a 4 door car, but the rear coach (suicide doors) are more like funky half-size extensions of the front doors. The car sits on 19-inch wheels that seem impossibly thin, designed to reduce friction with the road and improve range. At times they almost look like mountain bike tires though. One nice thing that BMW did was to leave the iconic kidney grills on the front. Technically they don’t do anything, but without them, I’m not sure the i3 would read as a BMW since it’s such a styling departure from every other car they make.


The interior is a mash-up of environmentally friendly materials produced from sustainable and recycled sources. The i3 I purchased doesn’t have leather seats, by choice. I actually prefer the look of the cloth seats over the leather or leather and cloth combo. If you did opt for the leather seats though, the tanning process is done with olive-leaf extract rather than chemicals to keep it greener. It’s hard to describe the materials used. You need to see them in person, and while at first, it might seem like a bit too much they work well together combining into a series of well-matched textures.

Another thing I love about this car is how big it feels on the inside. With no transmission hump, the floor is flat adding to the feeling of space. The interior roof gives plenty of headroom. At 6 foot 4, this is a big deal for me. I will say this, the back seat is cramped for someone my size. It’s probably cramped for anyone over 6 feet, to be honest. This is, after all, a car designed for city driving and to only seat 4 people. Cargo space is ample, and with the back seats folded down, it’s pretty amazing how much stuff you can get in this car.

From a technology perspective, the i3 doesn’t disappoint. Actually, for my model year, it does in aspect, (I’ll get to that in a minute). The i3 dash consists of 2 floating screens. There is the unit directly in front of the driver that contains the speedometer, battery usage, and the gauge showing energy use and regeneration. This screen can be configured to display any number of items from the iDrive system in the car.

The second screen is equally configurable and primarily houses the infotainment system which includes navigation, phone systems, messaging, radio and media displays and more. Below it is 6 buttons that can be programmed to do everything from radio presets to function as shortcut keys for any additional functionality.

All of this is connected to the center console dial of the iDrive system located in front of the center armrest. I’m not going to go into detail with all of the functionality here. Let’s just say that the system is deep and has a bit of a learning curve. Coming from 8 years of VW’s it was quite a bit different.

In addition to the built-in systems, there is also an iOS and Android app available that can be used to control the car remotely. It allows you to climatize the car, lock and unlock doors, set charge times, send destinations to the car, and more.

Other tech tidbits include the ability to lock the doors by touching a small patch of raised ribs on the door handle. Unlock the doors by simply sliding your hand inside the door handles. Unlock and lower the windows by holding the unlock button on the key fob. One foot driving using the regenerative braking system. Self-parking (yes it can park itself, but every driver should know how to parallel park or forfeit their driver’s license). Adaptive cruise control and more.

I didn’t get the REX (range extender) version. I don’t need the range extender. I never drive more than 120 miles in a day so the BEV (battery electric vehicle) i3 was perfect for my needs. After 90 days of ownership, I can honestly say I have never had any range anxiety at all. Frankly, I don’t think most drivers would. The navigation system can be configured to show you every charging station close by as you drive around town so you will always know where you can charge up if you need to.

One thing I wish this car had was Apple CarPlay. It doesn’t and I miss it. You can, however, upgrade the main head unit of the car with this upgrade from Bimmertech. I watched the install video and it looks like something anyone with a bit of technical know-how and set of tools could do themselves in a few hours. I have a feeling this voids the warranty on the car so I’ll be waiting a couple of years before I do this.

Speaking of upgrades, the battery is upgradable as well and Lion Smart announced an upgrade option a couple of months ago that would extend the range of BEV i3 to about 400 miles. No word on when this will arrive, or what it’ll cost but if you own an i3 and plan on keeping it for an extended period of time this is something you might want to look into.

One great thing about living in Kansas City is the fact that KCPL has partnered with ChargePoint and many local businesses to install level 2 charging stations all over the city. Each grocery store run, trip to the library, visit the Kaufman performing arts center, Nelson Atkins Musem, Restaurants in the Cross Roads or dozens of other places guarantee that I can plug the i3 in and charge it up.

Every Hy-Vee has at least 4 ChargePoint charging stations

As for fun factor, the i3 is a hoot to drive. It really is a blast. The electric motor delivers instant torque with a distinct “push you back in your seat” feeling. Acceleration is quick delivering a 0 to 60 time in about 7 seconds. It handles like a BMW with responsive steering. You have to drive the car to understand how the i3 performs.

The car is absolutely silent aside from a bit of road noise from the tires, and an almost imperceivable whine from the electric motor. It’s one of those things you notice at first and then become so used to it you don’t realize how loud the interior of other cars are until you ride in one with an internal combustion engine.

So, is a certified pre-owned BMW i3 worth it? Yes. Think about this, you can get a low mileage, highly optioned i3 for about half the price of new. If you get a CPO i3 you get 2 years of warranty on a car that require little to no maintenance. In my case, I got a $60,000 car for a little over $20,000. It had just over 20,000 miles on it, was a one-owner vehicle, and was purchased from a reputable BMW dealer here in the Kansas City area.

If you use a site like Car Gurus you can find plenty of examples just like this all of the United States, and depending on where you live have the car delivered to you for less than a grand. Sites like Carvana, and Carmax also have i3 inventories available for delivery. The only downside is the car won’t be BMW certified, and the warranty options might not be as good.

If you are in the market or are thinking about going electric, I highly recommend going with a CPO i3. Save your money and skip the Tesla. Skip the Bolt, Volt, Leaf, or any other traditional-looking EV sedan and get something a bit more unique looking.

Oh, and while you could buy new and get a $7500.00 federal tax credit, chances are it still won’t be as affordable as going with preowned. If you are curious about why EV’s depreciate so much, Doug Demuro has a great article here that answers, or attempts to answer that very question.