Technology

Bang Bang The BeoLab 50

No matter what you might think of the audio quality or the price point, you have to admit Bang & Olufsen make some beautiful audio gear. The BeoLab 50 is no exception Combining innovative design and state-of-the-art technology, the BeoLab 50 continues the brand’s mission of creating “the future of sound.” This floor speaker system stands out from some of the newer offerings B&O has made in the last few years pulling from an older aesthetic while still looking forward. The cylindrical rounded shape ensures that the speaker fades into any modern interior. The look of the oak and aluminum certainly tower sets it apart from recent B&O designs while still connecting it to other styles in the lineup. The BeoLab 50 features a silver semi-matte body with wood lamellas on one side and a black fabric on the other. It is futuristic and yet has a slightly retro feel that blends into any period.

The high-end loudspeaker features seven dedicated amplifiers that have a combined power of 2,100 watts. With three 4’’ midrange drivers and three 10’’ woofer drivers and an Acoustic Lens at the top. All of which is designed to make sure the BeoLab 50 provides an incredible sound experience. In typical fashion, B&O has incorporated seamless controls that allow the user to connect the speaker to other devices in the home easily. The BeoLab 50 also features wired and wireless inputs as well as the Active Room Compensation option which applies custom filters to compensate for sound reflections in different areas of a room.

 

No word on price, but I can guarantee you these won’t come cheap. You might have to decide between that small compact economy car you need for your daily commute, or a set of speakers to help you unwind at the end of the day. If you get a chance, check out the website. Once again B&O has put together a nice microsite with full page video, parallax effects and just enough information to hook you and make you want to come back when this officially launches.

 

Absolutely Engaging. “Save Every Breath, The Dunkirk VR Experience.”

If you haven’t seen the movie “Dunkirk” yet I highly recommend it. If you haven’t engaged with some of the marketing materials for it, I highly recommend that too. Especially the WebVR experience that was created to promote the film. the website is an immersive VR experience that requires two people to play. You can engage with someone you know, or join anyone from around the world. When you join, you become one of the allied soldiers at Dunkirk surrounded by the enemy. In order to survive, you have to work with the other player, just like you would have if you had been there in 1940. The site and VR components were created by Warner Brothers in conjunction with Google Zoo and the Chrome VR Teams to make this work. It’s a really great example of how Google VR and Immersive experiences can be used as a marketing and promotional vehicle. And not just for movies. I could see this being applied to so much more.

I Cut the Cord

About a month ago I decided to cut the TV package off of my Google Fiber account. I simply couldn’t justify paying for all the channels I never watched. Like all TV services, Google is forced to buy network packages, so everyone ends up getting a flood of channels they’ll never watch. In my case, it was all of the Spanish language channels, a ton of sports programming and religious networks, children’s programming, and home shopping networks. When I took a look at the channel line up, out of hundreds of channels that were being offered there were probably 15 to 20 that I wanted, and 6 of those were available over the air for free with an HD antenna. So I did some math added up the cost of services like Netflix, Amazon Prime, Hulu, DirectTV Now and figure I could save close to 100 bucks a month if I dropped the Google TV package and went 100 percent streaming.

Now, before anyone jumps on the Google Fiber bashing bandwagon, let’s get something straight this is the same situation for any cable and internet service provider because the networks have them hamstrung. The same thing applies to Rectum, I mean Spectrum (formerly Time Warner), Cox, SureWest, ATT, DirectTV, Dish, and on and on. They all have to buy the big network packages and offer more than any customer ever really needs. There simply is no ala carte TV solution available for consumers, which sucks. Given the opportunity, I would buy each channel I watch for a set price and be done with it. Unfortunately, that isn’t coming anytime soon from what I can tell.

Here I am about 4 weeks in, and I don’t think I’ll go back. I don’t have a DVR, although there are plenty of options available. I have access to the content I want to watch. I’m actually watching less TV and engaging more with content like TED Talks on my Apple TV. Since I never watched anything beyond the national news in real time I don’t feel like I am missing any programming that I am interested in, and thanks to my Smart TV from Sony I have Netflix and Amazon built in with both offering 4K content that looks great. My only gripe is networks like CBS are trying to force me to install their app and then pay for individual shows which means I am forced to watch programs like 60 Minutes, and CBS Sunday morning on my Computer or iPad through the CBS News websites, and I’m OK with that.

Over the last year Pay TV has continued to decline as streaming services continue to produce original content, and offer up programming available from other networks. I don’t see this trend ending which is going to force the major networks and cable providers to rethink their strategy. They are going to have to figure out a new model because I’m not the only one cutting the cord and moving on.

Out of all the channels shown below, the highlighted ones are those that we watched, and some of those were few and far between. 5 of them are available for free over the air in HD. 220+ channels and we were watching 15 of them.

The Infinity Wall

Over the last few years, I have seen a ton of projection mapping projects for everything from commercial product launches to venue openings and trade show keynotes.  Most of the time they have glitzy over the top projects that have a very specific theme or story line. I think the reason I am so impressed with the example below is because it is a hypnotic blend of simplicity, monochrome hues, and mesmerizing shapes.

In an empty lot on the outskirts of the city of Doha a 54,000 square foot tent was erected for a private event. In front of the tent stands a 360 foot wide by 30 foot tall fabric-covered wall.  On to it digital projectors,  projection-mapped 3D animations onto the it, giving the illusion of a large-scale kinetic modern art installation floating in the desert.

With less than three weeks lead time Megavision Arts, and top Qatari event producer and designer Fahad Signature tasked produced the 3D projection-mapping effect in order to mystify, entertain and engage the 1200 guests as they arrived at the event site.

With support from BARTKRESA Design and Creative Technologies, Megavision Arts Creative Director David Corwin and producer Amber Bollinger quickly assembled a team of artists, designers, technicians, and programmers to complete the project. With only one face-to-face meeting between Corwin and Art Director Vincent Rogozyk, the entire team assembled in Doha five days before the event. A fully-equipped design and animation studio was temporarily configured in a meeting room at the St. Regis Hotel in Doha, and they managed to produce this spectacular piece.

Based on the clients’ request for a 3D projection mapping that would be “very modern, artistic and magical” Corwin and Rogozyk began playing with abstract concepts that were evocative of Fahad Signature’s designs for the event, which included elements such as curvilinear wood furniture and sculptural wooden columns. Polish artists and animators Maciej Bałauszko and Michał Czubak were added to the team and began expounding upon the sketches, turning the rough curvilinear biomorphic and geometric ideas into polished animations. Four basic scenes of abstract 3D kinetic animations were programmed to loop, morph and transition from one design to the next over the course of just under 3 minutes. The animations included Optical Waves, Piano Tiles, Ribbon Architecture and the Involuted Helix.

Eighteen double-stacked Panasonic DZ21K projectors converged and were blended using a Dataton Watchout media server to create one large seamless image. They illuminated the Infinity Wall with over 300,000 lumens of light. The animation files consisted of 14,148,000 pixels per frame, which equates to over 21 BILLION pixels per minute being pushed through the system.

As guests pulled off the highway onto a freshly graded and paved driveway, to their surprise and delight they encountered a fantastic undulating phantasm looming on the horizon. As they continued towards the projected mirage, a custom score with synchronized sound design elements enhanced the illusion even more.