I have been maintaining this blog site for more than 10 years now, and it has also been a place to showcase my portfolio and resume for freelance and contract opportunities. For the last 5 of the 10 ten years, I’ve been posting to Modular 4, I’ve been saying to myself I really need to create a separate site that is exclusively focused on the work I’ve been doing and remove the portfolio and resume form here. Unfortunately, life just always got in the way. I’d think about it, procrastinate, fiddle around with a new site layout, get caught up in something else, forget about it, try to come back to it and never actually get anything done.
Well, guess what? I finally got off my butt and got something done. The new site for Wade Johnston Graphic Design features projects that I have worked on over the last 10 plus years, and services offered. It took me long enough, but the site is finally live. So I’m tooting my own horn and saying I’m open for business. That’s a bit of a lie though, I’ve been open and doing design business for the last 30 years. That doesn’t mean I’m not open to new opportunities though, so if you need design and advertising help give me a shout. I’ll be updating the new site regularly with new featured projects and projects that showcase specific skills, so if you are interested check back every so often. I’m also in the process of connecting the new SquareSpace site to my social media accounts so new pages and posts should start populating publically soon.
I’ll continue to post here but within the next few weeks, the menu items for my portfolio and resume will be removed. This website will continue to be what it has been for the last decade, a place where I can sound off about whatever I want, however, I want. If you have been one of the people that have read my posts here over the last 10 years, thanks. I really appreciate it.
If you hop over to the new site, I hope you like what you see.
Four things I like. Good Design, auto racing, animation/motion graphics, and high-quality video production. When these elements combine into something that epically leverages all of them it’s hard to contain myself.
I love this video. I’m not sure who the production company was behind it, or if Honda did this in house but the end result is spectacular. The video showcases Honda’s involvement in Formula One racing opening with racing legend Richie Ginther at the wheel of the Honda RA272, which won Honda’s first F1 race at the 1965 Mexican Grand Prix. The car then morphs into Ayrton Senna’s iconic MP4/4 from 1988 making its way around the narrow corners of the Monaco Grand Prix. Then the animation jumps all the way to 2006 when JensonButton won the Hungarian Grand Prix at the wheel of Honda’s own F1 car and team. From there we cut to Max Verstappen and his heroic win at the 2019 Austrian Grand Prix, and then again at the German Grand Prix.
The piece is interlaced with live-action footage from the races, highly stylized animation, nice use of typography, all built on a limited color pallet of red, black, yellow, blue and white. The style of the animation has a nice graphic novel look, that is matched perfectly to the driving music and soundtrack of engine sounds, crowd, and announcer overlays that help pull the whole thing together. The small details like the speed lines that emanate from the bold titles and the insertion of the Japanese text is a really nice visual design touch that is carried throughout the entire video.
Well done Honda. This is one of the better promotional pieces I’ve seen for Formula One. I’m not sure where this is going to run but I have a feeling during broadcast F1 races. It has a run length of 60 seconds and could be edited down to a 30, or even a 15-second spot if needed.
The high production value on this is sure to pay off. So a solid spot.
If you work with After Effects, or you are a graphic designer you might be familiar with Animography, the company that produces animated typefaces that are fully customizable. I’ve been a fan of these guys for quite some time, and always love it when a new release comes out. In the past Animography has done a pretty straightforward promotion of the product, they show the typeface animating, and the variations that can be achieved with it. All of this is an effective demonstration of what they are trying to sell, but the promotional animation for Madita is a winner.
Animography Shows the typeface in use, but blends it with a catchy little story, some wonderful animation, and shows how the typeface can be used in a project before wrapping it up with a simple question, “Where can I get this typeface?” The design and animation by Philip von Borries does a really nice job of showing Madita in use, and combined with the narration, the story hooks you and keeps you interested until the marketing punch at the end, which hopefully gets viewers interested in the font. Even if you aren’t a designer, or animator, the video is worth watching simply for the visuals and the nice little storyline.
Here is a little Friday afternoon time waster for you. A series of animated typographic treatments from Starov Evgeniy a student in St. Petersburg Russia. That’s right this is student work. This is a testament to how far we have come in the field of graphic design in the last 20 years. I couldn’t imagine creating 12 of these when I was in art school. It would have taken me an entire semester to illustrate and film a single one. Awesome work Starov.