The video below is part of a digital media campaign to help rebuild the Mackintosh Building which was destroyed by fire in 2014. The Glasgow School of Art’s Mackintosh building, a symbol of British art, was reduced to ash and out of the ruins came a brilliant idea, turn the charcoal into works of art. From the ashes of the building, artists were supplied with charcoal to create works of art that were auctioned off by Christies in March. The proceeds from the auction are being used to rebuild the Mackintosh building. The animated short captures the feeling of hand-drawn charcoal and highlight how some of the artists engaged with the medium. Unfortunately, the website feels like a bit of an afterthought and is less than exciting. There is a section that shows the pieces created though, which is worth checking out.
In a world where everything seems to be going to hell in a hand basket, and science is predicting the end of life in the next great mass extinction, it’s nice to know that there is art in the world. The world might be coming to an end at some point in the future, but you still have a chance to educate yourself about art thanks to the Solomon R. Guggenheim Museum loading 205 free art history books to the Internet Archive, all of which are available as PDF’s or ePub books. Yes now as you contemplate the end of the world and hone your apocalypse survival skills you can bone up on the finer things and learn about Max Ernst, The Italian Metamorphosis, French Art in the 1970’s, Joseph Cornell, Francis Bacon, Pop Art in the 60’s and so much more.
Yes now as you contemplate the end of the world and hone your apocalypse survival skills you can bone up on the finer things and learn about Max Ernst, The Italian Metamorphosis, French Art in the 1970’s, Joseph Cornell, Francis Bacon, Pop Art in the 60’s and so much more. Just be sure and pick up a solar powered charger for your phone or tablet so you can keep reading them after the power grid fails.
For the last 5 years, theGuggenheim has been digitizing its exhibition catalogs and art books, placing the results online. So if you want to study some art history this is the right place. The collection also includes catalogs of retrospective exhibitions on masters like Paul Klee, Robert Rauschenberg, and Mark Rothko. Or you can explore older art with Chinese art in the 20th century, craftsmen of ancient Peru, sculpture and works on paper or Masterpieces from the Guggenheim Collection: From Picasso to Pollock. What better way to spend your time when you aren’t trying to survive in a post-apocalyptic world.
Remember it is the arts and culture that separate us from the animals. Well that and opposable thumbs, larger brain capacity, the ability to create advanced tools, and a few other things.
Over the last few years, I have seen a ton of projection mapping projects for everything from commercial product launches to venue openings and trade show keynotes. Most of the time they have glitzy over the top projects that have a very specific theme or story line. I think the reason I am so impressed with the example below is because it is a hypnotic blend of simplicity, monochrome hues, and mesmerizing shapes.
In an empty lot on the outskirts of the city of Doha a 54,000 square foot tent was erected for a private event. In front of the tent stands a 360 foot wide by 30 foot tall fabric-covered wall. On to it digital projectors, projection-mapped 3D animations onto the it, giving the illusion of a large-scale kinetic modern art installation floating in the desert.
With less than three weeks lead time Megavision Arts, and top Qatari event producer and designer Fahad Signature tasked produced the 3D projection-mapping effect in order to mystify, entertain and engage the 1200 guests as they arrived at the event site.
With support from BARTKRESA Design and Creative Technologies, Megavision Arts Creative Director David Corwin and producer Amber Bollinger quickly assembled a team of artists, designers, technicians, and programmers to complete the project. With only one face-to-face meeting between Corwin and Art Director Vincent Rogozyk, the entire team assembled in Doha five days before the event. A fully-equipped design and animation studio was temporarily configured in a meeting room at the St. Regis Hotel in Doha, and they managed to produce this spectacular piece.
Based on the clients’ request for a 3D projection mapping that would be “very modern, artistic and magical” Corwin and Rogozyk began playing with abstract concepts that were evocative of Fahad Signature’s designs for the event, which included elements such as curvilinear wood furniture and sculptural wooden columns. Polish artists and animators Maciej Bałauszko and Michał Czubak were added to the team and began expounding upon the sketches, turning the rough curvilinear biomorphic and geometric ideas into polished animations. Four basic scenes of abstract 3D kinetic animations were programmed to loop, morph and transition from one design to the next over the course of just under 3 minutes. The animations included Optical Waves, Piano Tiles, Ribbon Architecture and the Involuted Helix.
Eighteen double-stacked Panasonic DZ21K projectors converged and were blended using a Dataton Watchout media server to create one large seamless image. They illuminated the Infinity Wall with over 300,000 lumens of light. The animation files consisted of 14,148,000 pixels per frame, which equates to over 21 BILLION pixels per minute being pushed through the system.
As guests pulled off the highway onto a freshly graded and paved driveway, to their surprise and delight they encountered a fantastic undulating phantasm looming on the horizon. As they continued towards the projected mirage, a custom score with synchronized sound design elements enhanced the illusion even more.
When I first watched this video on Vimeo, I was drawn in by the fantastic cinematography, and the atmosphere that is created in Alan Williams studio. The visuals hooked me but as his story, and discussion about process unfolded, I knew I was here for the full 8-minute duration. After watching it with the sound on, I muted the audio and watched it again, full screen and really looked at the way this was shot, edited, and composed. Ben Cox does a really nice job of framing his shots and using shallow depth of field to focus the viewer on specific elements within the frame. Lighting and color grading come together to really help enhance the story and create a mood that captures Alan Williams personality and the artwork he creates. This short has such a solid look, and great story hooks as well, it’s definitely going in the visual reference library for inspiration at a later date.