A couple of Sunday’s back my friend Tim and I took his Canon 5D MkII and my Olympus OMD EM-5 to Kansas City’s Greaserama hot rod show that takes place every memorial day weekend at the Boulevard Drive-In. Aside from shooting video of some pretty amazing rat rods, hot rods, and vintage bikes, we wanted to do another comparison between the cameras.
The video below was shot all hand held with no steady rigs, or other camera mounts. Like the video from the Kauffman Preorming Arts Center, this is a mix of footage from both cameras. The 5D was stabilized with Adobe After Effects using the Warp Stabilizer. The Olympus used the 5 axis image stabilization built into it with just a few of those clips getting the Warp Stabilizer.
There are a couple of things that bug me about some of the Olympus footage. When the camera is not in manual focus mode, it tends to shift focus when tracking a moving object. The shift is subtle but there on some of the clips. Overall though, I think the OMD EM-5 holds it’s own with the 5D MkII, and beats it for in camera image stabilization.
Yesterday morning my friend Tim and I went down to the amazing Kauffman Preforming Arts Center in Kansas City to shoot some test footage with the Olympus OMD EM-5. In the process Tim shot footage with his Canon 5D Mk II, and the idea of doing a little comparison was born.
All the footage in the video below was hand held. Both cameras were shooting at 1080p with the same ISO, frame rates, and exposure settings. What you will see is there is some camera shake. Its inherent in hand held footage without a steady rig of some kind. What you will also see is how well the OMD’s 5 axis image stabilization system works.
All of the 5D footage was stabilized in post using After Effects Warp Stabilizer. Less than half of the OMD EM-5’s footage was.The Warp Stabilizer was used to reduce camera shake, and to eliminate rolling shutter in some of the horizontal pans across the building.
Now can you tell which footage is from the Canon 5D MkII, and which is from the Olympus OMD EM-5?
There isn’t a day that goes by that I don’t wish I was still in school. Every time I turn around I find some new work produced by a group of students that is absolutely fantastic. this video is no exception.
Frictions is a graduation project that was filmed and produced at l’Ecole Nationale Supérieure des Arts Décoratifs in Paris. It mixes live action footage with stop motion photography and combines the two to visually tell a story through the movement of the dancer and his interaction with the colors around him.
The film was shot on a Canon 5D mkII against a blue screen and composited with the current background. This film demonstrates excellent sound design, choreography, cinematography, editing, and visual effects. My hat goes off to the entire team of students that made this work.
Directed by: Steven Briand
Choreographer: Clara Henry
Cinematographer and cameraman: Pierre Yves Dougnac
Music and sound design: Moritz Reich & Agathe Courtin
Visual effects: Francis Cutter & Benoit masson
Costume: 2WS – world wild souls
First assistant: Romain Daudet Jahan
Animation assistants: Nathalie Anne Boucher, Camille Chabert & Luca Fiore
Visual effects assitant: Sarah Escamilla
This is why I love what I do for a living. This great little animated short for T.I.E. is wonderful, but when you watch the making of video, you’ll be blown away. Beautiful design, photography, animation and post production work from Jospeh Mann at Blinkink.co.uk.
Seriously watch the making of video. This is an amazing combination of CGI, cut paper, and stop motion video. The post work on this is amazing.
More and more people are using DSLR cameras like the Canon 5D Mk II to shoot their films, but there is still a hold out of die-hard film fans out there shooting with 8mm, 16mm, and 35mm film cameras. One issue these folks have is getting the film transferred to a digital format that allows people to actually see their work in a location other than a movie theater.
The video below by James Miller shows a method he has developed for transferring 8mm footage to digital using his Canon 5D Mark II and an Eumig Mark 501. I have to say, the end result looks amazing, and this way of transferring film is much much faster less expensive than going through a production house.
For more info on the process, Miller has a write up here on his Vimeo page.