DaVinci Resolve

Coming to NAB, Blackmagic Pocket Cinema Camera.

I’ve been really curious about the Black Magic Cinema camera since it was introduced a couple of years back. There have been mixed reviews, but one thing always comes through. That is that the image quality is outstanding, and worth some of the cameras shortfalls.

back-front

Today I got an email letting me know that Black Magic will be announcing a number of new products at NAB this year. One that I pretty excited about is the all new Black Magic Pocket Cinema Camera. The specs look really solid, and the size is great for a secondary field camera.

tripod

 

“The world’s most compact Super 16 digital film camera features an elegant magnesium alloy chassis, 13 stops of dynamic range, Super 16 sensor size, high quality Apple ProRes 422 (HQ) and lossless compressed CinemaDNG RAW recording, as well as interchangeable optics with an active Micro Four Thirds lens mount, all packed into an incredibly tiny size. Includes power supply, removable/rechargeable battery and wrist strap.”

 

portable

 

Camera Features

  • Effective Sensor Size: 12.48mm x 7.02mm
  • Effective Resolution: 1920 x 1080
  • Shooting Resolutions: Lossless CinemaDNG RAW and Apple ProRes 422 (HQ) at 1920 x 1080
  • Frame Rates: 23.98p, 24p, 25p, 29.97p, 30p
  • Dynamic Range: 13 stops
  • Focus: Focus button turns on peaking.
  • Iris Control: Iris button automatically adjusts the lens iris settings so no pixel is clipped in film mode. Scene average auto exposure in video mode.
  • Lens Mount: Active MFT
  • Screen Dimensions: 3.5″ and 800 x 480 resolution.
  • Screen Type: Integrated LCD.
  • Metadata Support: Automatic camera data and user data such as shot number, filenames and keywords.

Storage Features

  • Storage Type: Removable SDXC, SDHC cards.
  • Storage Format: SD card can be formatted in either exFAT or HFS+
  • Storage Rates: 220 Mbps using Apple ProRes 422 (HQ)
  • Compressed Recording Formats: Apple ProRes 422 (HQ) in QuickTime MOV, lossless CinemaDNG RAW. Recording in 1920 x 1080 with choice of Film or Video Dynamic Range.

Connections

  • HDMI Video Output: 1 x Micro HDMI Type D output.
  • Analog Audio Input: 1 x 3.5mm stereo audio.
  • Analog Audio Output: 1 x 3.5mm stereo jack headphone output.
  • HDMI Audio Output: 2 channels 48 kHz and 24 bit.
  • Remote Control: 1 x 2.5mm LANC for Rec Start/Stop, Iris Control and Focus.
  • Computer Interface: USB 2.0 mini B port for software updates and configuration.

Software Included

  • DaVinci Resolve Lite grading software DVD for Mac OS X and Windows.

 

A Little Black Magic on Friday Afternoon

Like what I need right now is to drop more money on gear, but this camera looks so sexy. Today B&H loaded up the Black Magic Cine Camera with the Micro 4/3 lens mount. What is enticing to me is the fact that all of my 4/3 lenses will work on this camera, it shoots at 2.5k resolution and it supports so much third party software. At $2995.00 it’s pricey, but it would pay for itself with one freelance gig. The specs are listed below, and if you have the money you can pre-order it here. It should arrive in time for Christmas if you do.

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2.5K Image Sensor
12-bit RAW, ProRes and DNxHD Formats
13 Stops of Dynamic Range
23.98, 24, 25, 29.97, 30p Frame Rates
MFT Lens Mount
LCD Touchscreen with Metadata Entry
SDI Video Output and Thunderbolt Port
Mic/Line Audio Inputs
Records to Removable SSD Drives
Includes DaVinci Resolve and UltraScope

The Blackmagic Design Cinema Camera with MFT Mount brings to filmmakers a tool that many have waited for, for quite some time. Recording to a 2.5K image sensor, the camera is capable of recording 12-bit RAW DNG files, as well as ProRes and DNxHD formats to built-in removable SSD drives (not included), while delivering 13 stops of dynamic range. The Blackmagic Cinema Camera is a complete system with built-in recorder and monitoring, so it’s perfect for displacing video-only cameras for work such as weddings and sporting events. And as a complete system it can help save money for those budget strapped productions.

The camera is housed in an elegant, minimalist enclosure, crafted from a single block of aluminum. It can be used hand held or mounted on industry standard hardware. The new Passive Micro Four Thirds (MFT) Mount provides an exciting new feature for you by giving you compatibility with a wide range of manually operated lenses, while also being easily adapted to other mounts such as PL mount via third party adapters. And the LCD touchscreen provides monitoring, plus the ability for the user to add metadata such as shot number, filenames and keywords, which can save time and money in the post-production process.

To handle the high data video output, Blackmagic includes a full version of DaVinci Resolve, its premier color correcting software for Mac and Windows. Also included is a copy of UltraScope. When connected to a computer via Thunderbolt, the software provides technically accurate waveform monitoring, displaying six live scope views on a single monitor.

Since everything has been designed to provide high quality acquisition, the camera is an ideal option for independent film, television commercials and episodic television production, all places where image quality is paramount. Additionally the Blackmagic Cinema Camera offers compressed 1080HD recording formats in both Apple ProRes and Avid DNxHD allowing for seamless integration into a production workflow that utilizes either Final Cut Pro or Avid as their editing software.

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