I spend a lot of time looking at other people design work. It’s the nature of my job and something that helps to keep me current with design trends that are emerging. Over the last few months, something I’ve noticed with more frequency is the emergence of minimalist 3D animation paired with pastels that leans almost to abstraction. I have a feeling this is going to become a hot look over the next 18 months and will run the risk like so many other trends of jumping the shark as it gets picked up by every agency and marketing firm in the world. It looks cool now, and I’m really liking it, but that feeling may change if it becomes oversaturated the way the sketchbook look, the retro 80’s look, the ugly design look, the you name it you’ve seen to much of it looks did.
Over the last year I have noticed an emerging visual trend that has started popping up in all sorts of videos, and will probably make it’s way to the rest of the creative world. It is a black and white, lo-fi, grainy, not quite 8-bit look. It reminds me of 1980’s video camera footage that has been mashed up with a sort of hand-drawn style. I say sort of, because like in the video below it is obviously digital. The lines and shapes have a hand-drawn quality to them, but they are to clean. Like the art brushes that come with Adobe illustrator. Then there is the background texture, in this case paper, but in a number of other videos I’ve seen it’s is fine digital noise. Fake signal noise that has been added to the clip to give it a dirty analog look. I’m curious how long it’ll be before this makes it’s way to mainstream advertising, at which point we can add it to the “jumped the shark” list like so many other trends of late. (sketchbook, stop motion, hyper color, 8-bit graphics and sound…)
By the way, this is quite hypnotic. Consider yourself warned.
Wish you had a crystal ball to help you predict future design trends for 2015? So do I, but since I don’t I have turned to a number of sources on the web to help figure that out. While doing a little research last night I came across this infographic from Coastal Creative that does a pretty good job of attempting to predict what last years trends will evolve into. Coastal feels that larger photography, background video, better type, and semi flat design will lead the way, and I agree. Thanks to improved bandwidth, smartphones, and emerging technologies, I could see any of the predictions below holding fast or continuing to grow over the next 12 months.
With more than 30 million images and 350 million image downloads, I think Shutterstock has a pretty solid handle on emerging trends in the design world. With that kind of data it’s pretty easy to see where things are going, and thankfully Shutterstock has created the handy infographic below. If you are wondering what the hot design trends are for 2014, this might give you some insight.
It’s a new year and a new decade, it’s time to pack away the old thinking, and prepare for the brave new face of 2010 and beyond. Although trends don’t start and stop on January 1st, there is a definite shift from what we craved at the beginning of the year to what we are seeking at the end of the year. Most of the time, this shift is subtle. It’s the perfection or re-interpretation of a currently hot trend.
As designers trends help us evolve. We master the skills needed for a new design aesthetic, we continue to push forward to what’s next or what needs to be fully discovered.
As you read this you will recognize the ideas behind the trends presented here. Although this list isn’t a drastic departure from what was popular in 2009, it marks different trends that will be expanded upon and hopefully made better as a result. As you think of how you will incorporate these new trends into your designs, focus on the main idea of each trend and try to find a way to push beyond it, especially with trends that are becoming stale or over used.
Oversized Logos/ Headers
Splash pages were the hot design trend in 2000, and they died off because of usability issues, and their grandiose nature. One current hot trend similar to the splash page, is oversized logos and headers. The thinking is that a huge header makes the viewer remember you. I’m not sold on the thinking but you can’t deny the emerging trend here. These types of headers can take up the entire screen, but with one important note. Visitors will not need to click anything, just scroll down. Visitors often having a clicking phobia due to years of poor navigation and user experience design, so big headers do the job of a splash page without forcing your visitors to click anything. My issue with this trend is that eats up precious content space without any real benefit to the design.
Sketch/ Hand-drawn Design
Hand-drawn design is not exactly new on the horizon, but it is still huge and bordering on overuse. Because of its popularity it will unfortunately remain on the scene until it reaches the tipping point and we finally have a backlash against it. Personally I hate this style. I think it is as overused as animated growing vines and flowers were a few years back. None the less it is here, and it continues to be a driving force in a lot of motion graphics and , print design.
Many designers like the look but are afraid to create their own sketches because they feel they can’t really draw. If you look at the most popular hand-drawn websites, you will notice that most of your fellow designers can’t draw. and it shows. What this style does convey is a sense of whimsy, that blurs the line between cold web and personal interaction. If you can doodle, you can sketch for web design.
My feeling is that the Sketch style in 2010 will become more elemental, and not as the main focus of a web design. Hopefully it will be used to personalize standard web design in new and exciting ways, and it will be used to soften the edge of corporate design.
Slab typefaces are a relatively new phenomenon for web design, even though they’ve been around for over 200 years in traditional media. To get a good visual definition of slab typefaces, think of Letter Press design. Those bold letters used in many classic letter-press designs are slab typefaces. A slab typeface is commonly all capital letters. They tend to be heavy and imposing. Many designers have shied away from slab typefaces in the past because logos and headers were smaller and more understated. However, when combined with the trend toward larger headers, slab typefaces demand attention and that the reader to take notice. Think of Slab typefaces being used to make a statement about the message you are trying to convey.
Typography has always been one of the most difficult trends to tackle for web design. With all the limitations surrounding type, web designers have been afraid of using new and different fonts. But with the introduction of services like typekit and opentype this is going to change. Designers now have the option to use any font they want with these services. Because of it we will now be able to mix different fonts, and create light weight web designs that rival anything in print, broadcast or built with Flash. Dynamic well designed type is going to explode in the next few years. And thankfully it won’t have to be static bitmaps.
One Page Layouts
One pay layouts challenge you to edit away what’s unnecessary. Influenced by the limitations of social networking sites like Twitter and Facebook, this trend will move away from the current quirky trend and become more minimal in its approach. Think of these websites as glorified business cards. This kind of website will be more of a launching platform to locate you and your work on various other sites, your blog and your social media hangouts.
A close relative to the oversized header, the huge image does much the same thing. The thinking is that it creates visual impact that a visitor won’t soon forget. Unlike the oversized header mentioned above, huge images are not a direct part of a website’s branding. Instead, these images draw the visitor into your site, by creating a can’t look away point of focus. In 2010, designers will find themselves more comfortable using these large photographic statements in their design to help set the site’s overall tone.
Change of Perspective
Interactive / Intuitive Design
There was a time when you couldn’t visit a website without running into an annoying Flash interface. Something that was created to show off a designer, or programmers skills rather than benefit the user experience. These days the use of Flash feels more relaxed and much more professional. Although some designers prefer things like jQuery for forms and pop ups, Flash still has a rock solid place in web design. Especially when executed well, and when designed for the end-user experience. There is still no equal to Flash in terms of interactivity, animation, and video delivery. As Adobe continues to add more features to Flash (CS5), web designers will move toward the more redeeming elements of Flash.
Modal boxes are a trend that has picked up steam and will be virtually everywhere in 2010. A modal box is a pop-up windows more sophisticated city cousin. They look great and feel like part of the OS instead of a website add-on. Modal boxes are so easy to design and easy to use, making them the perfect solution for any designer with usability concerns.
Oversized footers are everywhere already, but this year we will find them even more exaggerated. The good thing is the footers of tomorrow will be less of an after-thought and more of an integral part of the overall design theme. You will see footers that feature and contain random information, such as RSS feed updates from various social media, daily polls, and even Flickr feeds.
Retro designs are here to stay. Although a lot of the design community admires retro web design, it can be difficult to fully embrace this style without coming across as undone. The key to pulling off retro designs is to be inspired by its tone and underlying playfulness, and the ability to execute something that still feels contemporary and fresh. In 2010, retro design will be expanded as designers find new ways to vintage graphic design.
As more and more people migrate from traditional print design to online design, there is a move toward the traditional magazine layout style. where information is carefully organized on a single home page, giving the visitor an opportunity to explore as interested. The familiar layout will appeal to anyone who’s ever read a magazine or newspaper. As programs like InDesign improve output to HTML with a minimal amount of clean up, magazine layout will take a huge step forward in the next few years.