It’s Monday March 16, 2020 and the world is in shutdown mode over the Coronavirus outbreak/pandemic. The stock market is losing ground again, people are hoarding supplies like the world is ending, schools are closed, businesses are having employees telecommute rather than come in to work and a slight sense of general pandemonium has settled over my part of the midwest.
Here is a way to hopefully help you forget all about what is going on in between washing your hands, coughing into your elbow, keeping your distance and doing all the other things the WHO wants you to do to stop the spread of COVID 19.
“Not To Scale” and “Iris” have collaborated to produce a beautiful series of eye-catching short animations for the Wacom Cintiq 16. The films imaginatively illustrate the typical journey and endeavors that an Artist takes through their career to realize their creative ambitions.
There are 6 in all and I have the behind the scenes/making-of video at the end. So, do yourself a favor and take a bit of time to escape the pandemic news and watch this series of short animations. You’ll be glad you did.
I have been maintaining this blog site for more than 10 years now, and it has also been a place to showcase my portfolio and resume for freelance and contract opportunities. For the last 5 of the 10 ten years, I’ve been posting to Modular 4, I’ve been saying to myself I really need to create a separate site that is exclusively focused on the work I’ve been doing and remove the portfolio and resume form here. Unfortunately, life just always got in the way. I’d think about it, procrastinate, fiddle around with a new site layout, get caught up in something else, forget about it, try to come back to it and never actually get anything done.
Well, guess what? I finally got off my butt and got something done. The new site for Wade Johnston Graphic Design features projects that I have worked on over the last 10 plus years, and services offered. It took me long enough, but the site is finally live. So I’m tooting my own horn and saying I’m open for business. That’s a bit of a lie though, I’ve been open and doing design business for the last 30 years. That doesn’t mean I’m not open to new opportunities though, so if you need design and advertising help give me a shout. I’ll be updating the new site regularly with new featured projects and projects that showcase specific skills, so if you are interested check back every so often. I’m also in the process of connecting the new SquareSpace site to my social media accounts so new pages and posts should start populating publically soon.
I’ll continue to post here but within the next few weeks, the menu items for my portfolio and resume will be removed. This website will continue to be what it has been for the last decade, a place where I can sound off about whatever I want, however, I want. If you have been one of the people that have read my posts here over the last 10 years, thanks. I really appreciate it.
If you hop over to the new site, I hope you like what you see.
Four years ago I was lucky enough to be chosen for the IKEA Home Tour when they were here in Kansas City. My video got me a home office makeover that turned out really nice. All of the furniture was supplied by IKEA and the Home Tour Squad spent 3 days redesigning my office. Part of the office makeover package was a sit/stand desk that I have used ever since. BEKANT.
I have to admit I have mixed feelings about the BEKANT Desk that I’ve been using since it was installed. I’ve had to replace the drive solenoid on it twice now, and the controls to raise and lower the desk can be a bit temperamental at times. The slightest variation in pressure and the desk comes to a stop. The work surface is ample, and the motor raises and lowers the desk in a fluid fashion which is nice. The problem is that the desk feels a bit on the cheap side, and when you spend 8 to 10 hours a day sitting or standing at your desk, you begin to think about better quality, or how you can hack your desk to make it feel like a higher quality piece of furniture. The other thing that pops into your head is “Should I just replace it with a better quality desk?”
The thing I find true about most sit/stand desks either look like they were designed by an engineer with no value on aesthetics or they have a very traditional look that doesn’t really fit with my personal style. What I want is a really nice piece of furniture with solid cable management, features, with a modern flair. So, I began my quest and while cruising the internet today I came across the “Woolsey Smart Desk” by Sean Woolsey.
The Sean Woolsey Smart Desk is available in two different materials – walnut or white oak allowing you to choose a material that works best with your current office or workspace. The Smart Desk is filled with all sorts of features I love. Cable slots so you can charge devices in the drawers out of sight. The motor control is hidden in the right drawer helping to keep your workspace tidy. The control unit also allows you to program 4 specific stop heights for different users. (very handy for me. I’m 6 foot 4 and my wife is 5 foot 4″) The motors that drive the desk give off very little noise (BEKANT is loud as hell) There is a built-in surge protector. It has a built-in QI Charger for wireless charging. Oh, and did I mention it’s absolutely gorgeous?
Just look at it. The shape is subtly rounded. Drawer hardware is removed so that the front of the desk becomes an uninterrupted shape. The monitor riser is unobtrusive. Cables are hidden away out of sight. It’s simply stunning.
Clearly, nothing has been left out when designing the Sean Woolsey Smart Desk with real attention to detail in the materials used and the little design touches which set it apart. Sean Woolsey wanted to include everything for the busy professional to stay organized with a luxurious yet functional design that offers everything you will need to keep yourself motivated and creative day in, day out.
I just need to figure out how to afford this. At $3000.00 it’s a hefty investment for sure. If I plan on dropping that kind of coin on a desk it’s going to need to become a family heirloom and something I plan on using for the next 20 years.
Every once in a while, I purchase a book based on the reviews I’ve read and fully expect the actual product to not live up to the hype. Usually, it’s that thing where my expectations were inflated due to glowing reviews that tout the quality of the layouts, the editorial, photography and more. With my recent purchase of “Herman Miller: A Way of Living” I have to say the reviews were spot on. (Amazon has this for about $20.00 less)
book chronicles more than 100 years of Herman Miller’s history and the key
events that have made it a cultural icon. Broken out into 10 chapters, the book
creates a timeline that highlights key achievements, people, and events that
have made the Herman Miller company the powerhouse that it is today.
to exhaustive research done by Herman Miller archivist Amy Auscherman, Sam Grawe
and Leon Ransmeier the book is 614 pages of history, illustrations,
photography, and essays that add up to a comprehensive history that in my
opinion is the best book on Herman Miller to date.
Auscherman, Grawe and Ransmeier, spent the better part of four years combing the design collections at the Vitra Design Museum, UCLA Libraries, the Eames Office, Museum of Modern Art, Cooper Hewitt Smithsonian Design Museum, and The Henry Ford Museum of American Innovation included for Herman Miller-related documents, photographs, archives, and illustrations for the new book and it paid off. They have gone into historic detail that not only delves into the company history but the influence that the products, architecture, and people brought to Herman Miller culture over the last 100 years.
The 10 chapters that go in-depth on everything
from key figures in the company’s history (Nelson, Eames, Girard, Frykolm) to
pivotal moments in popular culture that shaped Herman Miller’s trajectory, this
book is the summation of Herman Miller’s existence thus far—the most expansive
one to date.
“Even the nerdiest nerds and Herman Miller fans and people who have spent their whole working life at the company will have something to learn from this book,” she says. “I sit in this interesting position at the company where I kind of know the genesis of ideas that have proliferated and made the company what it is today. These ideas have been revisited and refined over and over again—not in a bad way. Usually, people aren’t coming up with something totally new, but they’re new iterations on something that’s already existed and making it better.”
The book covers everything from furniture design, advertising materials, design research, human factors company culture, textile development and more. Each section or chapter is prefaced with an in-depth essay on the influence that this portion had on the company as it grew from a small Michigan based furniture manufacturer into an international powerhouse.
Four things I like. Good Design, auto racing, animation/motion graphics, and high-quality video production. When these elements combine into something that epically leverages all of them it’s hard to contain myself.
I love this video. I’m not sure who the production company was behind it, or if Honda did this in house but the end result is spectacular. The video showcases Honda’s involvement in Formula One racing opening with racing legend Richie Ginther at the wheel of the Honda RA272, which won Honda’s first F1 race at the 1965 Mexican Grand Prix. The car then morphs into Ayrton Senna’s iconic MP4/4 from 1988 making its way around the narrow corners of the Monaco Grand Prix. Then the animation jumps all the way to 2006 when JensonButton won the Hungarian Grand Prix at the wheel of Honda’s own F1 car and team. From there we cut to Max Verstappen and his heroic win at the 2019 Austrian Grand Prix, and then again at the German Grand Prix.
The piece is interlaced with live-action footage from the races, highly stylized animation, nice use of typography, all built on a limited color pallet of red, black, yellow, blue and white. The style of the animation has a nice graphic novel look, that is matched perfectly to the driving music and soundtrack of engine sounds, crowd, and announcer overlays that help pull the whole thing together. The small details like the speed lines that emanate from the bold titles and the insertion of the Japanese text is a really nice visual design touch that is carried throughout the entire video.
Well done Honda. This is one of the better promotional pieces I’ve seen for Formula One. I’m not sure where this is going to run but I have a feeling during broadcast F1 races. It has a run length of 60 seconds and could be edited down to a 30, or even a 15-second spot if needed.
The high production value on this is sure to pay off. So a solid spot.
When most people think of a book, rarely do they think of it as a work of art. Most of us think of books as a tool for the communication of ideas and information. If the layout, typesetting, and design are well executed the book becomes a seamless experience. You might be attracted by the cover, subject, and writing style, but it’s still just a book. The publisher Taschen has found a way to transcend this concept by producing limited edition books that elevate the content to a true art form.
I often turn to the Taschen website for design inspiration simply because their book designs are so good. Page layout, use of typography, color pallets, etc. When it comes to visual design, Taschen nails it. Lately, I have been returning to the Limited Edition section of the site, not for inspiration but out of pure lust for what can truly be called works of art. Case in point “Piano Virtuoso” a $1250.00 limited edition, 200+ page tome on the life work of architect Renzo Piano.
This book is limited to a run of 200 and comes delivered in a hand-built wooden crate that is identical to the ones his studio uses to deliver architectural models to his clients. It has a hand-pulled lithograph of an original drawing by Piano that is signed and numbered of the Menil Collection Foundation in Houston, Texas that also elevates this to a status beyond what we typically consider a “book”.
With this being limited to an edition of just 200, and a price point of $1250.00 I’m going to have to be content either browsing online and dreaming or opt for the less expensive version of the book with no hand-built case or lithograph. One of the local Barnes and Nobel stores actually has a copy of the non-limited edition books so I had a chance to actually see to see it in person last week.
Like everything Taschen produces, the quality is top-notch. Beautiful page spreads that built a visual rhythm as you scan from page to page. There is an elegant use of photography, illustration, and type that helps to anchor the body copy and showcase Piano’s genius. Gatefold spreads are used to show the architecture in the context of its surroundings allowing for panoramic views. The copy is crisp and concise giving just enough information without becoming overwhelming or granular. The book does a great job of building the story of Piano’s career to date and the many existences of his singular aesthetic.
As for the Limited Edition version f the book being a work of art, I would contend that it’s close. It’s definitely a piece of fine craft when you think about the hand-built case and the limited edition print that come with it. Maybe not a work of fine art but a highly collectible hand-crafted object showcasing the art of a genius. If I could justify it, I’d add it to my small collection of Taschen XXL books. From the photo’s I think it looks absolutely amazing. That wooden case is exquisite.
I spend a lot of time looking at other people design work. It’s the nature of my job and something that helps to keep me current with design trends that are emerging. Over the last few months, something I’ve noticed with more frequency is the emergence of minimalist 3D animation paired with pastels that leans almost to abstraction. I have a feeling this is going to become a hot look over the next 18 months and will run the risk like so many other trends of jumping the shark as it gets picked up by every agency and marketing firm in the world. It looks cool now, and I’m really liking it, but that feeling may change if it becomes oversaturated the way the sketchbook look, the retro 80’s look, the ugly design look, the you name it you’ve seen to much of it looks did.