Once again the Creators Project has released a new video that makes you step back and think. The video below features photographer Vik Muniz and designer Marcelo Coelho who, using science and technology have drawn castles on a grain of sand. The project involves transferring Muniz’s drawings made with a camera lucida to a grain of sane that is less than 1 millimeter wide. The process is done with an ion beam focused on the tiny object which etches the image onto the surface. The narrative makes you stop and think about the imagery, concept of scale, the blend of art and science, and the direction that photography is headed as we move forward.
“Drawing is a thought process, not a means to reproduce what you see.” this quote from Daniel Weil in the video below, is a a comment that surfaces about 3 minutes in. It arrives as Weil shows off his sketchbooks, and talks about his process, why he draws, and how it helps him resolve problems, and complete ideas. I have said for years, you can’t design if you can’t draw.
This is fundamental to every aspect of the design industry from graphic to industrial to motion and beyond. It is also something that seems to be slipping away from many designers entering the industry today. I say this, because less than 3 years ago I sat in a meeting with a junior level designer that actually said “What if I can’t draw?” after being asked to sketch out some ideas. At the time I remember thinking, “How did you get a degree in design if you can’t draw”, and then moving on.
Over the last few years, the “I can’t draw” phenomenon has surfaced again, and again. This video, shows you why as a designer, you need to, and should draw, sketch, and visualize with something beyond your computer.
If you are a designer or artist working with digital tools like Photoshop or Illustrator, you might have had a chance to work with the Wacom Cintiq. If you are unfamiliar with the Cintiq, it is Wacom’s monitor/input tablet combined. It allows you to draw and paint right on the surface, mimicking an actual physical work surface.
If you are an iPad or other tablet user, you have probably installed a few creative apps like Procreate, or ArtRage and use your tablet for sketching, drawing, photo-retouching, etc. with some kind of input stylus. And while your stylus does a pretty good job, in many ways it is not a substitute for your Wacom tablet or Cintiq. The fact is most styluses, have larger input tips, and almost all of them don’t offer pressure sensitivity like the Wacom. So, why hasn’t Wacom jumped into the tablet fray? Well they have.
The Wacom Cintiq Companion, and Comanion Hybrid are two new tablets from Wacom. The Companion runs a full blown version of Windows 8 and allows you full access to all of your desktop creative tools. The Companion Hybrid runs Android and give you access to all of your favorite Android creative apps, like Procreate, Sketch, and ArtRage.
Both tablets offer an immersive on-screen creative experience and take full advantage of Wacom’s pressure sensitive stylus on a high resolution portable screen. The Companion running Windows 8 is essentially a mobile workstation with multi-touch control, pressure sensitive input and cloud based connectivity allowing you to create and share you r work from anywhere. Frankly I find this to be very exciting, because it take what I do on my iPad and extends it allowing me to be more creative from anywhere.
The overall specs for both tablets looks pretty impressive, especially for a first effort. Screen resolution is 1920 by 1080, Intel® CORE™ i-7 processor, 2048 levels pen pressure, 256 or 512 GB solid state drive, 16.7 million color display, 8 gig of RAM… I hope that Wacom is successful with this, because competition is a good thing, and hopefully it means Apple, and stylus manufacturers will step up their game resulting in better products for everyone.
There is no word on pricing and or availability as of yet, but you can sign up for email announcements about the tablets as they get closer to a launch date and release pricing info.
I often talk about craft, attention to detail, and the hand of the artist in relation to the visual arts and design. Today’s piece of inspiration is the epitome of those things.
At the Villa Empain, Boghossian Foundation in Brussels, is a carpet designed and drawn by artist Jonathan Bréchignac. The carpet is an image filled with amazing details all rendered by hand as a life size drawing. It was drawn using Bic pens. That’s right everything from the tassels to the weave patterns were all drawn by hand using blue Bic ball point pens. In addition to the hand work, Bréchignac has rendered a QR code on each corner. The QR codes take you to a specific messages and symbols that Bréchignac has created for the viewer.
It’s been raining all morning here in Kansas City, so I decided to use the time to finish up a freelance illustration gig that is due in a week. The image below was created on the iPad using ArtRage, Snapseed, and traditional paper and pencils. The source images were provided by the client, in the form of low-res JPEG’s, that I used to create the base image from.
The original image was sketched out with Prismacolor pencils on a sheet of Strathmore that was scanned and transferred to my iPad. From there the image was reworked in ArtRage. There are 16 layers of digital painting and compositing, 4 of which are post processed imports from Snapseed. The more I use these two apps in conjunction with traditional mediums the more I like it. I hope the client does as well. Later this week I’ll post the final image with editorial, and final cropping for the layout.
I am always on the look out for digital painting and sketching tools to add to my arsenal. 61 Solutions launched Mischief last month which is a vector based painting and drawing application that looks pretty slick.
Using both pixel-based brushes and the scalability of vectors, Mischief give you infinite zoom, and scalability, without loss of detail. This combined infinite canvas size makes this a pretty powerful tool for digital artist. With a cost of $129.00 it hits a sweet spot giving you big features while not breaking the bank. You can try it for free for 15 days before you have to commit to buying which is an added plus for those on a budget. Below is a list of some key features of Mischief.
Mischief uses a revolutionary new stroke representation. Get the richness of pixel-based brushes AND the scalability of vectors. Zoom in to any size and get a PERFECT edge. Export at ANY size and resolution.
Mischief has a truly infinite canvas. Your artwork can grow organically without constraints. There is no need to preset paper sizes or resolutions or to resize the canvas during drawing.
Mischief handles a zoom range of 50 trillion to one. Create artwork with extraordinary levels of detail or draw a story, within a story, within a story … the possibilities are endless.
Mischief exploits the massive parallelism of today‘s GPUs. Get unprecedented performance even for very complex artwork. Scale, pan, and rotate in real-time without compromising quality.
Small File Sizes
Mischief files are smaller than comparable Photoshop and Illustrator files. Sharing high resolution artwork has never been so painless.
No Manual Required
Get started instantly; just pick up your stylus and draw. Pen and paper styles, tool selection, layers, and all the essentials are right at your finger tips. No complex menus or hidden features.
Caroline Olsson’s Pencil Light is a lamp and a container. Something about it vaguely reminds me of the main character in Wall-e, or Luxo Jr. but that doesn’t bother me one bit. The purpose of the lamp is to ” accentuate your stationery, and has the desire to encourage you to write and draw more analog.” according to the designer. I can relate to this, since my day job is working as a designer for a company that produces ink on paper products.
The lamp is made from birch wood, and features copper and brass screw mechanisms that allow the light to be adjusted to a variety of positions. The box below functions as a container for your writing and drawing implements of choice, and when not in use the light can be closed to hide everything.
Materials: birch, aluminium, steel, copper, copper and brass.
Light: LED bulb.
Photographer: Kaja Bruskeland