Over the weekend I saw this bench by designer Antonia Martinez, and it reminded me of the furniture designed by Edward Wormley for Dunbar back in the mid 1950’s. Clean mid-century lines, with ample padding, and this great planter offset on the cantilevered shelf. There isn’t any information on her site, but from the looks of photo the bench is constructed of solid wood, probably cherry or walnut, and the planter is stainless steel. I’ve been searching for additional images, and possible places to purchase, but so far nothing. If I find more information or images I’ll be sure and post it here.
“Furniture is needed for practical reasons, and because it must be there, it may as well be as pleasant as possible to look at, and in a less definable psychological way, comforting to the spirit.”
A few years back I did a freelance job for Dunbar Furniture. It was my first real introduction to the furniture designed by Edward Wormley, and I instantly fell in love with his understated and elegant design aesthetic.
Born in Rochelle, IL near Chicago. Edward Wormley came from humble beginnings, during the late 1920’s his financial state caused him to struggle to stay in school for interior design at the Art Institute of Chicago. in 1930 he was forced to cut his schooling short, and he went to work as an interior designer for Marshall Fields in Chicago. Ultimately unfulfilled with his career at Marshal Fields he quit in 1931 to join the Dunbar Furniture Company of Berne, Indiana. His job as lead designer was to update their overall product line.
Wormley’s work with Dunbar met with immediate success and his career with them lasted for 30 years. He had a outsatnding eye for quality and the exacting craftsmanship needed in the development of high quality modern furniture. Wormley began incorporating European innovations and created furniture that was elegant, understated and modern. In 1944 Dunbar decided to focus exclusively on Modern lines, and to this day manufactures and sells furniture that Wormely designed between 1944 and 1970. While Wormley was never truly at the forefront of Modern design he was able to take the best elements from classical, historical design and translated them into Modern vernacular. His result was furniture that was sophisticated, yet mainstream, and this translated into a very successful product line for Dunbar.
Wormley was fortunate enough to be included in the “Good Design” Exhibitions staged by the Museum of Modern in New York between 1950 and 1955. This elevated him to a respected place alongside designers like Harry Bertoia, George Nelson and Charles and Ray Eames. Edward Wormley thoroughly understood the essential elements of what became known as Mid Century Modernism but never limited himself to this single ideology. His furniture designs represent an understanding of classical design principles merged with 20th century innovation. The convergence of these helped to create timeless classic pieces that greatly appeal to today’s collectors.