Four years ago I was lucky enough to be chosen for the IKEA Home Tour when they were here in Kansas City. My video got me a home office makeover that turned out really nice. All of the furniture was supplied by IKEA and the Home Tour Squad spent 3 days redesigning my office. Part of the office makeover package was a sit/stand desk that I have used ever since. BEKANT.
I have to admit I have mixed feelings about the BEKANT Desk that I’ve been using since it was installed. I’ve had to replace the drive solenoid on it twice now, and the controls to raise and lower the desk can be a bit temperamental at times. The slightest variation in pressure and the desk comes to a stop. The work surface is ample, and the motor raises and lowers the desk in a fluid fashion which is nice. The problem is that the desk feels a bit on the cheap side, and when you spend 8 to 10 hours a day sitting or standing at your desk, you begin to think about better quality, or how you can hack your desk to make it feel like a higher quality piece of furniture. The other thing that pops into your head is “Should I just replace it with a better quality desk?”
The thing I find true about most sit/stand desks either look like they were designed by an engineer with no value on aesthetics or they have a very traditional look that doesn’t really fit with my personal style. What I want is a really nice piece of furniture with solid cable management, features, with a modern flair. So, I began my quest and while cruising the internet today I came across the “Woolsey Smart Desk” by Sean Woolsey.
The Sean Woolsey Smart Desk is available in two different materials – walnut or white oak allowing you to choose a material that works best with your current office or workspace. The Smart Desk is filled with all sorts of features I love. Cable slots so you can charge devices in the drawers out of sight. The motor control is hidden in the right drawer helping to keep your workspace tidy. The control unit also allows you to program 4 specific stop heights for different users. (very handy for me. I’m 6 foot 4 and my wife is 5 foot 4″) The motors that drive the desk give off very little noise (BEKANT is loud as hell) There is a built-in surge protector. It has a built-in QI Charger for wireless charging. Oh, and did I mention it’s absolutely gorgeous?
Just look at it. The shape is subtly rounded. Drawer hardware is removed so that the front of the desk becomes an uninterrupted shape. The monitor riser is unobtrusive. Cables are hidden away out of sight. It’s simply stunning.
Clearly, nothing has been left out when designing the Sean Woolsey Smart Desk with real attention to detail in the materials used and the little design touches which set it apart. Sean Woolsey wanted to include everything for the busy professional to stay organized with a luxurious yet functional design that offers everything you will need to keep yourself motivated and creative day in, day out.
I just need to figure out how to afford this. At $3000.00 it’s a hefty investment for sure. If I plan on dropping that kind of coin on a desk it’s going to need to become a family heirloom and something I plan on using for the next 20 years.
Anyone that knows me, knows I am a huge fan of the industrial design work that Deiter rams did for Braun. His influence and the work he did for Braun can still be felt today on so many product lines by other companies like Apple.
Braun has been absent from the audio world for more than two decades, but original stereo systems from the 50s, 60s, and 70s are still in demand. Not because they offer a superior audio experience, but because of the design and visual aesthetic they present.
The hottest Braun stereo collectible is probably the SK5 “Snow White’s Coffin” record player and radio. It is sublimely minimal in its execution with white powder-coated steel sandwiched between wooden side panels under a plexiglass case. The design was a radical departure for stereo gear when this was introduced in the 1950s.
One of my personal favorites from the Braun stereo family has always been the Braun Audio 1 from 1962. To me, it feels timeless. You can feel where it came from (the SK5) and understand the visual direction Rams was taking Braun over the next decade.
In addition to the Audio 1, Braun introduced a set of minimalist speakers in 1959, the LE1. The LE1 is so simple in its design form. White rectangular slabs suspended on chrome tubular legs with a perforated black metal grill. The form is almost sculptural in quality and an even more radical departure from stereo systems of the day. You have to remember, in 1959 most stereo systems looked like a large wooden piece of furniture that would blend in with what was in your living room. The LE1 stands out. It’s meant to be seen as well as heard.
The LE1 was the first electrostatic speaker available on the German market, the LE 1 provided a new housing for internal electronics produced by English engineering company Quad, then trading as Acoustical Manufacturing Co. Ltd. The LE 1’s electronics were based on the Quad ESL-57, producing a distinctively detailed sound that still stands up well against the standards of contemporary hi-fi systems today. At the time of its introduction, the speaker was technically and aesthetically ground-breaking. Within the Braun audio program of the late ‘50s, the LE 1 was intended to accompany the first Braun component Hi-Fi system, the Braun Studio 2.
For the first time in 28 years, Braun is back in the audio business. Well sort of. Braun Audio is returning with a reinvention of the aforementioned LE speakers from 1959. A perfect reintroduction to the heritage of Braun Audio, the new LE Series focuses on the purity of design, purity of performance and the purity of sound Braun was known for in the past.
These beautifully minimalist speakers have been re-imagined by Precipice Design. The London-based design company developed all consumer and trade touchpoints including brand and product narratives, packaging, photography, iconography, digital assets (website, and mobile app), video content, and point of sale concepts, print catalogs, and advertising, helping to re-establish Braun in the premium audio sector.
When you look at the complete set of design materials that Precipice created for Braun you are immediately aware of the heritage of vintage Braun while positioning them squarely in the modern market place. The imagery that is used across all touchpoints echoes the minimalist aesthetic that Braun became known for, not simply in the products they produced but in the owner’s manuals, advertising, and packaging that was produced during their heyday.
As I looked at the new website that Precipice produced I was struck by how it so closely mirrored many of the Braun printed items I’ve seen from the 1960s an70s. The minimal color pallet, sparse layout, concise messaging. The same look and feel are carried over to the mobile app, and on to the packaging. With the packaging focusing on the purity of sound while focusing on the brand’s heritage. Only key information about the product shown on the packaging. The uncomplicated packaging is typical of Braun and reflects the aesthetics of the classic speaker through dark tones and a graphic of the speaker itself.
The speakers themselves are an homage to the original LE1 updated to reflect today’s taste and improved technologies. Where the original 1959 speaker would probably prove to be too large in today’s home environment, Precipice’s vision shows how the LE1 can be reimagined to fit more discreetly into one’s home.
The new speaker brings the same vision Ram’s had in 1959. A minimalist slab in white with a black grill floating above a chrome stand. The speaker is angled slightly backward, and the controls are almost invisible. Precipice also introduces a solid black version of the speaker and two additional sizes, all of which use the same visual language.
Floor stands have been designed as well, but I have to say I don’t think they work as well. They seem rather chunky except where they have been extended and used with the smallest of the speakers.
There is no word on availability yet. I’m betting these will be available this fall for the Christmas shopping season. The product was introduced around the first of September this year so you would think they would be ready for sale by mid-November at the latest. Pricing will range from $1200.00 for the largest of the 3 down to $380.00 for the smallest.
I don’t need these, but I wouldn’t mind having them. Full information and specs are available on the Braun Audio website.
One of the disadvantages of living in some of the houses I have owned in the last 25 years is that they weren’t suited to owning a grill.
Union Hill had potential. I could have kept a grill in the garage, but the garage was off the basement and the idea of trucking up and down 18 steps to flip burgers had me worn out just thinking about it. Union Hill had an OK sized wooden deck, but how many fires started in Union Hill thanks to an unattended grill on a deck? I know of at least 3.
The house on Lloyd had no patio, and the deck was simply to narrow. If I wanted a grill it meant keeping it in the detached garage and hauling it out every time I wanted to use it. No thanks.
The loft had a small balcony but the idea of having a grill seemed rather bad. The balcony was small, and it was a multi-unit building. I didn’t want to be responsible for a possible fire.
Finally, after having the patio rebuilt at our current and permanent residence we got a grill. After spending most of the winter and spring trying to decide on a grill or a griddle and then trying to find something that wasn’t like every other product on the market we narrowed it down. The criteria were pretty simple. It had to look good, use propane, get hot enough to bake a pizza and be small enough to store in the garage in winter.
Since it’s just my wife and I weren’t looking for anything that you could cook a whole turkey in, or with enough surface area to cook 24 hamburgers at once. We looked at everything from the Blackstone griddles to the Green Egg and finally settled in on the Fuego Element F21C-H. I have had the grill for a little over a month now and couldn’t be happier. It looks amazing cooks just as good and heats to over 600 degrees in less than 10 minutes – making the perfect cracker crust pizza.
There is a ton of reviews on all versions of this grill on the internet so I’m not going to go into great detail about how to use it and comparisons with other products. Instead, I am going to talk about 2 things, assembly, packaging and design.
First off I have to say that when the grill is assembled it looks like a statement piece rather than a cooking appliance. Designed by Robert Brunner, the former chief of design at Apple the Fuego Element F21C is a decidedly minimal piece of equipment and maintains quite the futuristic aesthetic. It looks like a tall metallic mushroom with a sort of 1980’s retro vibe to parts of it. I think it is the perforated metal sides that have me thinking that and I’m not sure why. Either way, the grill is quite a stunning piece of industrial design, and quite functional too.
The grill sits atop a four-wheeled base for improved portability and has a long, narrow column that stores the propane tank. All in all, the F21C only measures 21 inches wide by 32 inches tall, which means it’ll fit in on even more minute patio or balcony setups. The hinged lid is offset at 45 degrees so when you open it you are not putting your arm directly over the heat source (something that I really appreciated last week when the temps were hovering in the upper 90’s) The main door on the column has a spring release clasp that opens up to reveal the propane tank inside.
The diffuser tray which sits below the grate is designed to channel drippings away from the burner elements which is a plus. It is designed to help prevent the openings in the burners from getting clogged requiring additional cleaning. Grease and drippings are collected in a small tray that sits below the burner and can be removed simply by pulling the tray out from the front of the grill.
There are stainless steel handles that have dual functionality. They can be used to move the grill and they function as the support base and storage space for the optional side table.
My only real design grip is this. I use the optional table on the left side of the grill. It’s the side away from the lid. I did this because the ambient heat coming off the lid when it’s open is right above where the table sits on the right. The table is well designed and attaches to the grill by hooking under the arms of the handle and using a small support rod. When not in use it slips in between the handle and hangs next to the grill. If the table is stowed, you can’t open the door to access the propane tank. It gets me every single time. All in all, this is a pretty small complaint.
The cooking surface is 346 square inches which are plenty. According to Fuego, you can cook 18 to 20 burgers on this at one time. And the 15-pound porcelain-enamel cast iron grate provides a massive heat sink producing amazing sear marks.
The Fuego grill came in a standard cardboard box. About 2 inches from the bottom was a dotted line with “cut here” icons indicating what to do. I used a standard box knife, cut all the way around and simply lifted the top 7/8 of the box off and set it aside. Inside there was a truck-load of Styrofoam. A ton of it. I’m still getting rid of it because I couldn’t get it all out on trash and recycling day and still have room for my regular trash and recycling. I wish they would figure out a way to completely do away with the foam, and replace it with something that is more environmentally friendly.
Everything was neatly packaged and laid out in a way that made sense as I took the parts out of the box. I was able to place everything in a logical order and get ready to assemble the grill in less than five minutes. And this brings me to the assembly portion of this post.
I love it when an industrial design or engineer figure out how to create something that goes together quickly and is rock solid when assembled. Fuego nails this. The grill requires just 14 screws to go together and I had my grill built and ready to cook less than 30 minutes. I didn’t time how long it took to put it together but I do know cleaning up the packaging took longer.
All you need to put this together is a Phillips head screwdriver. You can do it with that but if you have a cordless drill with a Phillips head driver attachment I suggest using it. I put the grill together by myself, some of you might want a second set of hands but you don’t need it. The instructions are straight forward and easy to follow. There are a handful of YouTube videos that show people unboxing and assembling the grill if you have any doubts about the simplicity of it.
Get the cover if you are storing the grill outside. It’s not expensive and it does help protect it from the elements. With that said I’ll be storing the grill in my garage over the winter.
I recommend the table attachment. At least one of them. It really does come in handy when you are cooking. I’m not sure you need both of them, but I am toying with the idea of getting a second one.
Skip the Pizza Stone kit. The kit costs 40 bucks. It would have cost me 38 to ship it back to Fuego. The stone is the same kind you can pick up at Target for about $20.00. The pizza cutter was a joke. It was the cheapest one I think I have ever seen. It felt like a toy. As for the pizza Peel, the quality was slightly better than the cutter but not much. I ended up getting a non-folding one that isn’t as easy to store but doesn’t feel like it’s going to collapse under the weight of a medium-sized pie either.
Get the griddle. It’s made from the same material as the grate and it converts the grill into a flat-top in seconds. (Suggestion for Fuego. Make a split version. Half griddle half great. Especially for the 24C big brother version of this grill)
I’m out. I have skirt steak I need to get ready for tonight’s dinner.
I have used a Concept 2 rower for physical exercise for longer than I can remember. It is such a great workout and the C2 is built like a tank. If you can swing it, I highly recommend picking one up.
Like all rowers except for the Hydrow the workout can be a bit boring. You are going back and forth for 45 minutes to an hour with an occasional break for stretching or interval weight training. To combat the boredom I use a pair of Bluetooth earbuds that I have paired with my phone so I can listen to music or books on tape. I also have them paired with my Apple TV so if I feel inclined I can pull the rower into the downstairs media room/office and watch something on the TV while rowing.
The thing is, moving the rower is kind of a pain, and I never do it. Because of this, I started looking for a stand of some kind to hold my iPad and position it close enough to see the screen without hitting it as I rowed. Over a 6 month search I couldn’t find anything that I liked or that I thought would work. Then about a week ago I found RowFree, and I’m in love with this.
The RowFree Mount is a quickly installed bracket that can be used with Concept2 rowers, BikeERG, and SkiERG to hold electronic devices like tablets, smartphones, and laptops. The RowFree Mount is highly adjustable and can be used to quickly position your device exactly where you need it.
Constructed from aluminum alloy, the bracket is light and durable. The bracket simply slips over the PM5 on my Concept 2 and then adjusts to hold my device directly in my line of sight for the entire workout routine. I love this thing. It is simple, functional design at its finest. It’s not over-thought or overly complicated. It has a simple function and it works. It doesn’t block the readout on my PM5 and it makes rowing a whole lot more enjoyable.
RowFree is a small business located in Bend, Oregon. Their mission is to provide the best way to interact with tablets, smartphones, and laptops while rowing. I think they nailed it.
If I only had a few extra days of vacation and a few extra dollars to spend I know what I’d be visiting in the next couple of weeks. MoMa’s “The Value of Good Design” exhibit that is currently up through June 15th. The video below is a fun two-minute look at some of the design and designers featured and some of the more iconic pieces in the show. If you’re in New York or headed there soon, this would be well worth a visit.
Featuring objects from domestic furnishings and appliances to ceramics, glass, electronics, transport design, sporting goods, toys, and graphics, The Value of Good Design explores the democratizing potential of design, beginning with MoMA’s Good Design initiatives from the late 1930s through the 1950s, which championed well-designed, affordable contemporary products. The concept of Good Design also took hold well beyond the Museum, with governments on both sides of the Cold War divide embracing it as a vital tool of social and economic reconstruction and technological advancement in the years following World War II. This global scope is reflected in many of the items on view, from a mass-market Italian Fiat Cinquecento automobile and a Soviet-era East German Werra camera to a Japanese poster for a Mitsubishi sewing machine and a Brazilian bowl chair. These works join both iconic and unexpected items made in the US, such as the Eames La Chaise, a Chemex Coffee Maker, and Irwin Gershen’s Shrimp Cleaner.
I spend most of my day working on a computer in programs like Photoshop, Illustrator, After Effects, and Premier and on my iPad using apps like Art Rage, or Sketchbook. These tools allow me to create everything from illustrations to motion graphics and video. As great as all of these tools are, they can’t replace the tactile feeling of putting pen to paper and actually drawing.
As a designer, I am always looking for quality drafting tools and drawing implements. That pen or pencil with the right weight balance, and feel in the hand. While it seems like something that should be easy it’s not. The right tool makes all the difference and you can feel it as soon as you pick up a pen or pencil that has it.
Recently I discovered HMM, a Japanese company whose goal is to make “The Ordinary Classy”. The name stands for Human-Mechanic-Method and they specialize in the manufacture of finely crafted coffee ware and office accessories.
“We focus on polishing the details that make utensils unique and human. With selected materials and craftsmanship our products are classic and timeless. They are ready to embellish your daily life.” HMM
What I picked up from them is “Slide“. A winner of this year’s iF Design Award, Slide is a stylish and multi-functional ruler and pen in one. Finely crafted from milled aluminum, and coated in a matte black finish.
The sleek tool features a unique magnetic structure that allows the pen and ruler to be split up into two pieces, or be reassembled back into one with a feeling that is fluid, and smooth.
Slide has a triangular shape to the body with one side that is distinctively flat while the other two roll into a gently curved edge. It feels really comfortable in my hand. The pen writes and draws beautifully with smooth ink flow allowing for a lighter touch and more control. The pen can be used independently from the ruler or with it by simply pushing it forward to expose the tip. With the ruler attached to the pen, the back takes on the same gently curving arch with an almost indistinguishable seam between the pen and the ruler.
The ruler is all metric measurements. That makes sense since it is a Japanese product designed for the world market. That doesn’t bother me at all though. I’m not going to be using it for doing much measuring, I’ll be using it to help me draw straight lines when I need them.
The packaging is impressive as well. Well thought out and executed with sustainable materials. Slide comes in a matte black cardboard sleeve. Inside there is a stacked chipboard container that has been cut to hold the device in place. The container is wrapped in a black paper liner that contains simple instructions on how to refill the pen and use it.
Along with the packaging, there is a really well-designed catalog of HMM products. Minimal layout and simple type treatments really round out the emphasis on the quality HMM put into their product and package design.
No matter what you might think of the audio quality or the price point, you have to admit Bang & Olufsen make some beautiful audio gear. The BeoLab 50 is no exception Combining innovative design and state-of-the-art technology, the BeoLab 50 continues the brand’s mission of creating “the future of sound.” This floor speaker system stands out from some of the newer offerings B&O has made in the last few years pulling from an older aesthetic while still looking forward. The cylindrical rounded shape ensures that the speaker fades into any modern interior. The look of the oak and aluminum certainly tower sets it apart from recent B&O designs while still connecting it to other styles in the lineup. The BeoLab 50 features a silver semi-matte body with wood lamellas on one side and a black fabric on the other. It is futuristic and yet has a slightly retro feel that blends into any period.
The high-end loudspeaker features seven dedicated amplifiers that have a combined power of 2,100 watts. With three 4’’ midrange drivers and three 10’’ woofer drivers and an Acoustic Lens at the top. All of which is designed to make sure the BeoLab 50 provides an incredible sound experience. In typical fashion, B&O has incorporated seamless controls that allow the user to connect the speaker to other devices in the home easily. The BeoLab 50 also features wired and wireless inputs as well as the Active Room Compensation option which applies custom filters to compensate for sound reflections in different areas of a room.
No word on price, but I can guarantee you these won’t come cheap. You might have to decide between that small compact economy car you need for your daily commute, or a set of speakers to help you unwind at the end of the day. If you get a chance, check out the website. Once again B&O has put together a nice microsite with full page video, parallax effects and just enough information to hook you and make you want to come back when this officially launches.