The 2014 World Cup is wrapping up and it’ll be another four years before football fever takes over the world again. Unless you have been living under a rock for the last month, you probably know that the current World Cup games are being played out in Brazil, with the final four teams playing the last semi final matches this week. Over the last month teams from around the world have played in 12 stadiums across Brazil, and Portugese illustrator André Chiote has illustrated five o them focusing on unique architectural details, using a color pallet based on the Brazilian flag with green blue and yellow. The illustration style is clean and simple with a nod to the international style of the 1960’s that brings a strong visual impact to the posters. Great stuff.
Earlier this year BVD did a rebrand for 7 Eleven that introduced a fresh updated look tot he convenience store chain in Sweden. BVD is back again, extending the look of the new branding to packaging designs for 7 Eleven’s food line.
The packaging is built around a simple clean look featuring easy to read editorial that lists the ingredients. More importantly, in many cases the packaging allows the food to be seen so the consumer can tell if it healthy, fresh, and appealing.
The packaging reflects the re-brand from the store, but varies slightly going with a more muted color pallet that won’t detract from the food itself. A sans-serif font that is very much from the “International Style” of design. And a simple grid layout that structures all of the packaging with the same visual voice. I think it is a winner, and something 7 Eleven should consider bringing to the rest of their store world wide.
There is something so completely humorous and ironic about designer Mike Joyce’s personal project “swissted“. Punk gig posters look nothing like the highly stylized images Joyce has created using a Swiss Modern / International Style approach. While his posters are beautifully designed they are the antithesis of punk band gig posters from the 70’s, 80’s and 90’s. The two movements have nothing to do with each other stylistically, and the cool modern design look flies in the face of all things punk rock.
Each poster design is set in lowercase berthold akzidenz-grotesk medium (no it’s not helvetica), and each poster represents a show that actually happened (there are a boat load of them too.) Frankly I think these posters are great. Wonderful design, typography, and color pallets. What I’d really like to see is a comparison between these and the original flyers they are based on. I’m sure
swissted is now available as a book from quirk books. You can get it here.
Simon Page is a self-taught graphic designer from the UK with an emphasis on typographic art, illustration and geometric design. Earlier this year he produced a series of posters for the International Year of Astronomy 2009 (IYA) campaign.
The posters like most of his work is brilliant in it’s simplicity and use of geometric form. The style reminds me of that mid 60’s to mid 70’s period where international style had distilled itself down to basic elements and was being widely used in text book cover design. Seriously, these posters remind me so much of science book covers from Jr. Highschool. Page’s color pallet is refined and exquisite. There is an excellent sense of balance, and layout that is carried across every poster.He uses subtle textures in the backgrounds that gives an almost nostalgic sense of age and use. The typography treatments are understated, yet help to pull the entire composition together in each poster. These posters are really, really nice.
According to Page he is influenced by a number of contemporary designers like, Alex Trochut, Joshua Davis, and James White. I would go on to say I think he has been influenced if even unintentionally, by designers like Joseph Müller-Brockmann, Emil Ruder, Paul Rand, and Armin Hofmann.