Micro 4/3

Philip Bloom’s Black Magic Camera Review: Part Two.

Back in September of last year, Philip Bloom reviewed the Black Magic Cinema Camera with the EF lens mount. While he was impressed with image quality, he rightfully pointed out a number of flaws that the version one camera has. Last week he posted an update on Vimeo featuring the Black Magic with the micro 4/3 mount. As he points out the camera still has flaws, but the new lens mount makes a huge difference because now the crop takes full advantage of the complete lens, not just the centered weighted portion of the glass.  I’m still interested in this camera, and I can’t wait to see where Black Magic takes it in the future.

For the previous review click here.

Sony NEX Campaign Takes a Shot at DSLR Users.

To promote their new NEX line of mirrorless cameras Sony has launched a new Australian YouTube channel titled DSLRGEARNOIDEA (DSLR Gear No Idea) where the basic premise is you have your bad ass camera and all the accessories, but don’t have a clue about how to, or why to use it.

These are the DSLR clueless – all the gear and no idea. Remind you of someone? Share it with them. Find out more http://www.sony.com.au/productcategory/nex-camera

The campaign asks if you know anyone like the people portrayed in the videos and then encourages you to share it with them. The videos are really pretty funny, and they really are reflective of any number of individuals that bought into the whole idea that having a bigger, more expensive camera will make you a better photographer.

 

A Little Black Magic on Friday Afternoon

Like what I need right now is to drop more money on gear, but this camera looks so sexy. Today B&H loaded up the Black Magic Cine Camera with the Micro 4/3 lens mount. What is enticing to me is the fact that all of my 4/3 lenses will work on this camera, it shoots at 2.5k resolution and it supports so much third party software. At $2995.00 it’s pricey, but it would pay for itself with one freelance gig. The specs are listed below, and if you have the money you can pre-order it here. It should arrive in time for Christmas if you do.

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2.5K Image Sensor
12-bit RAW, ProRes and DNxHD Formats
13 Stops of Dynamic Range
23.98, 24, 25, 29.97, 30p Frame Rates
MFT Lens Mount
LCD Touchscreen with Metadata Entry
SDI Video Output and Thunderbolt Port
Mic/Line Audio Inputs
Records to Removable SSD Drives
Includes DaVinci Resolve and UltraScope

The Blackmagic Design Cinema Camera with MFT Mount brings to filmmakers a tool that many have waited for, for quite some time. Recording to a 2.5K image sensor, the camera is capable of recording 12-bit RAW DNG files, as well as ProRes and DNxHD formats to built-in removable SSD drives (not included), while delivering 13 stops of dynamic range. The Blackmagic Cinema Camera is a complete system with built-in recorder and monitoring, so it’s perfect for displacing video-only cameras for work such as weddings and sporting events. And as a complete system it can help save money for those budget strapped productions.

The camera is housed in an elegant, minimalist enclosure, crafted from a single block of aluminum. It can be used hand held or mounted on industry standard hardware. The new Passive Micro Four Thirds (MFT) Mount provides an exciting new feature for you by giving you compatibility with a wide range of manually operated lenses, while also being easily adapted to other mounts such as PL mount via third party adapters. And the LCD touchscreen provides monitoring, plus the ability for the user to add metadata such as shot number, filenames and keywords, which can save time and money in the post-production process.

To handle the high data video output, Blackmagic includes a full version of DaVinci Resolve, its premier color correcting software for Mac and Windows. Also included is a copy of UltraScope. When connected to a computer via Thunderbolt, the software provides technically accurate waveform monitoring, displaying six live scope views on a single monitor.

Since everything has been designed to provide high quality acquisition, the camera is an ideal option for independent film, television commercials and episodic television production, all places where image quality is paramount. Additionally the Blackmagic Cinema Camera offers compressed 1080HD recording formats in both Apple ProRes and Avid DNxHD allowing for seamless integration into a production workflow that utilizes either Final Cut Pro or Avid as their editing software.

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Santa Fe, OMD, Autostitch, Big Sky.

Part of the great thing about being on vacation is getting to see things you haven’t seen before. I’ve been to Santa Fe before, but photographically I’m getting to see it through a new lens. This image is from Fort Marcy looking east. It was shot on the amazing Olympus OMD EM-5 with the Olympus 17mm lens. 3 images that were shot, then stitched together with the Autostitch app to create the panorama.

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