photography

Believe in Experiences – Mastercard Pre-Pandemic

What a difference a year makes. The images below are from a Mastercard campaign that was developed by McCann Columbia that is built around shared experiences. The imagery is great incorporating the Mastercard logo into a series of engagements that involve eating out, sports, travel, etc. All things that people really aren’t doing right now because of the global Covid-19 pandemic.

The background copy that accompanied the launch of the outdoor campaign read “At Mastercard, we believe in experiences. We believe in the awe of simple things. We believe in those moments where only present matters. To us, that’s priceless and we got the opportunity to merge our logo into some of those occasions for all of the 2019 billboards.”

It’s a great campaign. The visuals alone are fantastic, selling the product/service in a quick read that billboards need to do. The irony is, that there is no way Mastercard and McCann could have foreseen the future when this campaign was being developed. And if it is like any outdoor campaign I’ve ever worked on, there is a pretty solid chance that a number of these billboards are still up in Latin America, which unintentionally drives home the reality of where the world is today. Social distancing, self isolating, and apart from one another. The polar opposite of what this campaign originally set out to champion.

It’s beautiful work though, and the team that created it should be extremely proud of what they produced. Great photography, solid retouching, simple and effective copy… priceless.

McCann Colombia
Creative Director: Andres Salamanca Soler
Art Director: Felipe Álvarez C. – Andrés V. De la Hoz
Copywriter: Laura Garzón – Julian Triana

The Poster Designs for the Tokyo 2020 Olympics Are Crazy – Awesome

I’m not sure what the selection criteria were for the 2020 Olympic Games in Tokyo, but I’m digging the completely crazy set of images that were chosen.  The styles range from Manga to Cubism to Surrealism and Photography. If you compare these to what we traditionally have gotten the Tokyo posters seem almost out of left field. Hat tip to the judges for taking a chance and choosing posters that are a reflection of Japanese culture, and that take a chance. You can see all of the posters here and read the artists statements about the works as well.

Ed Ruscha and Jack Kerouac – Motorized Photographs Of Sunset Blvd. And Other L.A. Streets

Ed Ruscha has always been one of my favorite artists. When I was in Art School at the University of Kansas he had a heavy influence on the work I was producing at the time. Not so much his photography, but definitely his paintings and print works. The video above was Commissioned by The Getty Museum on the occasion of their 2019 Getty Medal to the painter, draftsman, photographer, and bookmaker, Ed Ruscha.

Produced by Matthew Miller the Getty Research Institute’s preservation and digitization of over a million images from Ed’s Streets of Los Angeles photo series. Miller then had Ruscha record a voice over for the piece using excerpts from Jack Kerouac’s “On The Road”.

I think this is a wonderful way to experience Ruscha’s photography of Los Angeles in a new way. If you are unfamiliar with Ruscha’s books I recommend checking them out. If you Google “Ed Ruscha Books”, you’ll be able to find them. Start with “26 Gas Stations”, or “Some Los Angeles Apartments”. They’ll give you a solid insight into where Ruscha’s head was in the early to mid-1960s.

Creating Hyper-Real Sports Indents for AD Sports TV.

In 2015 Dubai UAE based Les Follies Design Haus, commissioned Frame to create eight over the top idents for the re-launch of the Abu Dhabi sports channel AD Sports TV. This is a series that I somehow missed when it dropped. The look is absolutely outstanding. The first video below is the behind the scenes recap explaining how Frame pulled this off. The second is the directors cut of the indents.

In a collaboration with Obeida Sidani, Executive Creative Director at Les Folies, Director and Creative Director Anders Schroder at Frame came up with the idea of having top athletes of various sports performing in the streets with the iconic buildings of night-time Abu Dhabi as the backdrop. As they are performing the surroundings would transform into their respective playing fields.

The team at Frame creative directed, conceptualized and animated the transforming floors under the athlete and the particle systems around them.

Anders wanted a still photography HDR look that would be the polar opposite of the popular organic film look with shallow depth of field and handheld camera shake. He wanted to achieve a look that was almost synthetic and videogame-like with extreme angles and razor sharp infinite focus but all achieved in-camera. A look that would be synonymous with high performance rather than the performers themselves.

To take its a step further Anders suggested to recreating this look in live action. The technique is based on the idea of shooting with multiple exposures and then combine them in post. Furthermore, Anders wanted to shoot high-speed with zero motion blur and considering this was a night shoot which added tremendously to the difficulty.

Together with DP Zubin Mistry they asked themselves: How do we shoot fast paced action high-speed, everything in focus, no motion blur, at night, with both the buildings and the sky and athlete fully exposed?

The answer was motion control, an insane lighting package, Master Primes wide angles, Phantom Flex 4K, and lots of compositing. Using the motion control rig they filmed each shot in several passes moving the massive light rigs out of the shot each time background and buildings were being shot. The motion control rig enables the team to be able to squeeze in another cool gimmick; slow motion athletes in the foreground and time lapse cityscapes in the backgrounds – in the same shot!

The result is a spectacular and hyper-real look that feels almost CG-like even though most of it was shot in camera.